Dressmakers, milliners, and other females employed in the various occupations which minister to the exigencies of fashion, are confined to close rooms, surrounded by masses of silk, muslin, &c. They are debarred the healthful practice of working in the open air, and can scarcely venture even to sit at an open window, because a drop of rain or a puff of wind may be fatal to their work and its materials. The lace-maker, on the contrary, whose work requires only her thread and her fingers, is not disturbed by a refreshing breeze or a light shower; and even when the weather is not particularly fine, she prefers sitting at her street-door or in her garden, where she enjoys a brighter light than within doors. In most of the principal towns of the Netherlands there is one particular locality which is the focus of lace-making industry; and there, in fine weather, the streets are animated by the presence of the busy work-women. In each of these districts there is usually one wide open street which the _Speldewerkers_ prefer to all others, and in which they assemble and form themselves into the most picturesque groups imaginable. It is curious to observe them, pouring out of narrow lanes and alleys, carrying with them their chairs and lace-pillows, to take their places in the wide open street, where they can enjoy more of bright light and fresh air than in their own places of abode. "I could not help contrasting," says Kohl, "the pleasing aspect of these streets with the close and noisy workrooms in woolen and cotton manufactories. There the workpeople are all separated and classified according to age and sex, and marshaled like soldiers. Their domestic and family ties are rudely broken. There chance or exigency separates the young factory girl from her favorite companions, and dooms her to association with strangers. There social conversation and the merry song are drowned in that stunning din of machinery, which in the end paralyzes even the power of thought." Our German friend is a little hard upon factory life. Though not so picturesque, it does not, if candidly viewed, offer so very unfavorable a contrast to that passed by the Belgian Lace Workers. * * * * * [FROM BENTLEY'S MISCELLANY.] THE TOMB OF LADY BLESSINGTON. BY MRS. ROMER. "[Greek: Eudeis all ou seio lelasmenoi esmen]!" "Thou sleepest, but we do not forget thee!"