Interpretations of Poetry and ReligionSantayana, George
Religion
Interpretations of Poetry and Religion
Santayana, George
Aesthetics; Literature -- History and criticism; Poetry; Religion
Whitman, it is true, loved and comprehended men; but this love and
comprehension had the same limits as his love and comprehension of
Nature. He observed truly and responded to his observation with genuine
and pervasive emotion. A great gregariousness, an innocent tolerance of
moral weakness, a genuine admiration for bodily health and strength,
made him bubble over with affection for the generic human creature.
Incapable of an ideal passion, he was full of the milk of human
kindness. Yet, for all his acquaintance with the ways and thoughts of
the common man of his choice, he did not truly understand him. For to
understand people is to go much deeper than they go themselves; to
penetrate to their characters and disentangle their inmost ideals.
Whitman's insight into man did not go beyond a sensuous sympathy;
it consisted in a vicarious satisfaction in their pleasures, and an
instinctive love of their persons. It never approached a scientific or
imaginative knowledge of their hearts.
Therefore Whitman failed radically in his dearest ambition: he can
never be a poet of the people. For the people, like the early races
whose poetry was ideal, are natural believers in perfection. They
have no doubts about the absolute desirability of wealth and learning
and power, none about the worth of pure goodness and pure love. Their
chosen poets, if they have any, will be always those who have known how
to paint these ideals in lively even if in gaudy colours. Nothing is
farther from the common people than the corrupt desire to be primitive.
They instinctively look toward a more exalted life, which they imagine
to be full of distinction and pleasure, and the idea of that brighter
existence fills them with hope or with envy or with humble admiration.
If the people are ever won over to hostility to such ideals, it is
only because they are cheated by demagogues who tell them that if
all the flowers of civilization were destroyed its fruits would
become more abundant. A greater share of happiness, people think,
would fall to their lot could they destroy everything beyond their
own possible possessions. But they are made thus envious and ignoble
only by a deception: what they really desire is an ideal good for
themselves which they are told they may secure by depriving others of
their preeminence. Their hope is always to enjoy perfect satisfaction
themselves; and therefore a poet who loves the picturesque aspects of
labour and vagrancy will hardly be the poet of the poor. He may have
described their figure and occupation, in neither of which they are
much interested; he will not have read their souls. They will prefer
to him any sentimental story-teller, any sensational dramatist, any
moralizing poet; for they are hero-worshippers by temperament, and are
too wise or too unfortunate to be much enamoured of themselves or of
the conditions of their existence.
Public-domain text, read in full here on John Shaqi.
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