+777+. Dionysus, in a word, was originally the local god of a savage community; the data are not sufficient to fix precisely his original place and the original conception of him. His mantic function does not necessarily show that he was a ghost. It is true that the dead were often consulted (and necromancy long survived among civilized peoples), but any spirit or god might take possession of a worshiper and make him the vehicle of revelation. Nor is the phallus-cult peculiar to Dionysus; this cult is widely diffused, and its origin is to be referred not specifically to the recognition of the general generative power of nature, but to the mystery of human life.[1340] In his original home Dionysus seems to have represented everything that touched the life of his people. When, at a certain time, he passed into Hellas (carried, doubtless, by immigrants), he took on the character necessitated by his new surroundings--a process of transformation began. Exact chronological data are lacking, but as in the Iliad[1341] he is the son of Zeus, he must have been adopted by the Greeks very early. In his new home he became the patron of the vine.[1342] In a vine-growing region any prominent deity may become a wine-god;[1343] but the special connection of Dionysus with wine in Greece suggests that in his earlier home he was somehow identified with intoxicating drinks. With vegetation in general also he may have been connected in Thrace--such a relation would be natural for a clan god--and in that case his Hellenic rôle as god of vegetation would follow as a matter of course; or, if he advanced from the vine to the whole of vegetable nature, the development is intelligible. +778+. When and on what grounds he was accepted as one of the Olympians is not clear;[1344] perhaps it was on account of the importance of vine culture, perhaps from the mysterious character of his cult, the enthusiasm of divine inspiration reflected in the frenzy of the worshipers, or from these causes combined; his later name, Bacchus, which seems to refer to cultic orgiastic shouting, would appear to indicate this element of the cult as a main source of his popularity. Once established as a great god he was credited with various functions. The Greek drama arose in connection with his worship, and at Eleusis the old element of seizure by the god was transformed by the higher thought of the time into the conception of ethical union with the deity. Thus the old savage god came to stand for man's highest aspirations.