+109+. At a later time such ceremonies were connected with the worship of gods: sometimes they were of the nature of offerings of homage to the supernatural Powers, as in the Young Dog Dance;[226] sometimes they took on a symbolic and representative or dramatic character. Among the Redmen the dramatic dances are elaborate, often representing the histories of divine persons, these latter frequently appearing in the form of animals.[227] The accompanying songs or chants relate stories that are intended to explain, wholly or in part, the details of the rite.[228] +110+. Thus combined with other ceremonies, dances become important means of religious culture. In Greece dances were connected with many cults, among others with the Dionysiac ceremonies, out of which grew the Greek drama. Among the Hebrews the ancient ceremonial dance appears as late as the time of David,[229] though it was then, perhaps, falling into desuetude, since his wife, Michal, is disgusted at his procedures. The violent movement of the dance excites not only warlike rage but also religious ecstasy, and has been used abundantly for this purpose by magicians, prophets, and mystics; the performer is regarded as a vehicle of divine revelation, all abnormal excitement being ascribed to possession by a spirit.[230] +111+. With dances may be classed processions, in which usually a god is invoked or praised. In Ashantiland, in time of war, when the men are with the army, processions of women, wives of the warriors, march through the streets, invoking the gods on behalf of the absent men.[231] Often the performers bear a sacred object, as a stone (sometimes inclosed in a box[232]), a boat, or an image; in early times such objects not only represent the gods but actually embody them, or are themselves superhuman Powers. +112+. A peculiar form of procession is that in which the worshipers move round a sacred object, perhaps the adoption of a natural form of play. The original design in such movements may have been simply to show respect to the object in question and secure its favor, the circular movement being a natural way of keeping in touch with it. In certain cases the circumambulation is connected with the movement of the sun in the sky--probably a later interpretation of the ceremony. Examples are found in Hindu, Greek, and Roman practices, and in some modern Christian usages (in the Greek and Roman churches). As a magical efficiency was held to attach to the ceremony, its effect was sometimes held to depend on the direction of the movement; if it was to the right--passing from east through south to west (the worshiper facing the east)--it was good, but bad if in the opposite direction. Though traces of solemn circumambulation are found in some lower tribes, it has been, and is, practiced chiefly in the higher cults.[233]