Introduction to the History of Religions: Handbooks on the History of Religions, Volume IVToy, Crawford Howell
HistoryHistory
Introduction to the History of Religions: Handbooks on the History of Religions, Volume IV
Toy, Crawford Howell
Mythology; Religion -- History; Religions -- History; Rites and ceremonies
+113+. Sacred dances and processions are natural human expressions of
emotions that have been adopted by religious sentiment, and are often
supposed to have potency in themselves. They tend to disappear with the
progress of general refinement and of ethical conceptions of life and of
deity. They continue, however, far into the civilized period, in which
we find dramatic representations (as the Eleusinian rites and the
medieval Mystery Plays), processions of priests bearing or conducting
sacred objects, processions of devotees with music, and pilgrimages to
shrines. Such ceremonies, while they are regarded by educated persons
simply as expressions of reverence and accompaniments of prayer, are
still believed by many to have an innate or magic potency, insuring
prosperity to the participants.
DECORATIVE AND CURATIVE CEREMONIES
+114+. Love of ornament is found among all savage peoples; the value
they attach to beads and all colored things is well known to travelers
and traders. It has been plausibly argued that the origin of clothing is
to be found in the desire of each sex to make itself beautiful in the
eyes of the other.[234] However that may be, the employment of leaves
for headdresses and waistbands is general among lower tribes.[235]
+115+. Equally popular is the adornment of the body by colored marks
made with red ocher, pipe-clay, turmeric, charcoal, and such like things
as are furnished by nature. Elaborate designs, of straight and curved
lines, are traced on the skin, and these are gradually differentiated
and become marks of rank and function. The war paint of the American
Indians is governed by fixed rules, the object being to make the warrior
terrible to enemies.[236] Rings, quills, sticks, and stones, worn in
holes made in ears, nose, lips, and cheeks, are all originally
decorative; and so also prickings and gashes in the body, often in
regular outlines.[237]
+116+. These latter, made according to tribal custom and law, become
tribal marks (tattoo), and are then essential to one's standing in the
community. This custom is general in Polynesia and in parts of North
America.[238] The use of oil and other unguents early established itself
as a custom of savage society. They were probably useful in a variety of
ways. For the hair they made up for the absence of comb and brush; in
combat they enabled the warrior to slip from the grasp of his enemy;
they defended the naked body from rain, and from soiling and injury
produced by contact with the earth and hard bodies; and in sickness they
were regarded as curative.[239] Oil was abundantly used as an article of
food.
Public-domain text, read in full here on John Shaqi.
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