Introduction to the Literature of Europe in the Fifteenth, Sixteenth, and Seventeenth Centuries, Vol. 1Hallam, Henry
History
Introduction to the Literature of Europe in the Fifteenth, Sixteenth, and Seventeenth Centuries, Vol. 1
Hallam, Henry
Literature, Modern -- History and criticism
[57] Roquefort, Glossaire de la Langue Romane, p. 25, and État de la
Poésie Française, p. 42, and 206, mentions several religious works
in the royal library, and also a metrical romance in the British
Museum, lately published in France on the fabulous voyage of
Charlemagne to Constantinople. Raynouard has collected a few
fragments in Provençal. But I must dissent from this excellent
writer in referring the famous poem of the Vaudois, La Nobla
Leyczon, to the year 1100. Choix des Poésies des Troubadours, vol.
ii. p. cxxxvii. I have already observed, that the two lines which
contain what he calls la date de l’an 1100, are so loosely
expressed, as to include the whole ensuing century. (Hallam’s
Middle Ages, iii. 467.) And I am now convinced that the poem is not
much older than 1200. It seems probable that they reckoned 1100
years, on a loose computation, not from the Christian era, but from
the time when the passage of Scripture to which these lines allude
was written. The allusion may be to 1 Pet. i. 20. But it is clear
that, at the time of the composition of this poem, not only the
name of _Vaudois_ had been imposed on those sectaries, but they had
become subject to persecution. We know nothing of this till near
the end of the century. This poem was probably written in the south
of France, and carried afterwards to the Alpine valleys of
Piedmont, from which it was brought to Geneva and England in the
seventeenth century. La Nobla Leyczon is published at length by
Raynouard. It consists of 479 lines, which seem to be rhythmical or
aberrant Alexandrines; the rhymes uncertain in number, chiefly
masculine. The poem censures the corruptions of the church, but
contains little that would be considered heretical; which agrees
with what contemporary historians relate of the original Waldenses.
Any doubts as to the authenticity of this poem are totally
unreasonable. M. Raynouard, an indisputably competent judge,
observes, “Les personnes qui l’examineront avec attention jugeront
que le manuscrit n’a pas été interpolé,” p. cxliii.
I will here reprint more accurately than before the two lines
supposed to give the poem the date of 1100:--
“Ben ha mil et cent ancz compli entièrement,
Que fo scripta l’ora car sen al derier temps.”
Can M. Raynouard, or any one else, be warranted by this in saying,
_La date de l’an 1100_, qu’on lit dans ce poème, merite toute
confiance?
|Metres of modern languages.|
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