Introduction to the Literature of Europe in the Fifteenth, Sixteenth, and Seventeenth Centuries, Vol. 1Hallam, Henry
History
Introduction to the Literature of Europe in the Fifteenth, Sixteenth, and Seventeenth Centuries, Vol. 1
Hallam, Henry
Literature, Modern -- History and criticism
1. Ginguéné has well observed, that the fourteenth century left Italy in
the possession of the writings of three great masters, of a language
formed and polished by them, and of a strong relish for classical
learning. But this soon became the absorbing passion, fortunately, no
doubt, in the result, as the same author has elsewhere said, since all
the exertions of an age were required to explore the rich mine of
antiquity, and fix the standard of taste and purity for succeeding
generations. The ardour for classical studies grew stronger every day.
To write Latin correctly, to understand the allusions of the best
authors, to learn the rudiments at least of Greek, were the objects of
every cultivated mind.
|Poggio Bracciolini.|
|Latin style of that age indifferent.|
2. The first half of the fifteenth century, has been sometimes called
the age of Poggio Bracciolini, which it expresses not very inaccurately
as to his literary life, since he was born in 1381, and died in 1459;
but it seems to involve too high a compliment. The chief merit of Poggio
was his diligence, aided by good fortune, in recovering lost works of
Roman literature, that lay mouldering in the repositories of convents.
Hence we owe to this one man eight orations of Cicero, a complete
Quintilian, Columella, part of Lucretius, three books of Valerius
Flaccus, Silius Italicus, Ammianus Marcellinus, Tertullian, and several
less important writers: twelve comedies of Plautus were also recovered
in Germany through his directions.[193] Poggio besides this was
undoubtedly a man of considerable learning for his time, and still
greater sense and spirit as a writer, though he never reached a very
correct or elegant style.[194] And this applies to all those who
wrote before the year 1440, with the single exception of Gasparin; to
Coluccio Salutato, Guarino of Verona, and even Leonard Aretin.[195] Nor
is this any disparagement to their abilities and industry. They had
neither grammars nor dictionaries, in which the purest Latinity was
distinguishable from the worst; they had to unlearn a barbarous jargon,
made up with scraps of the Vulgate, and of ecclesiastical writers, which
pervades the Latin of the middle ages; they had great difficulty in
resorting to purer models, from the scarcity and high price of
manuscripts, as well as from their general incorrectness, which it
required much attention to set right. Gasparin of Barziza took the right
course, by incessantly turning over the pages of Cicero; and thus by
long habit gained an instinctive sense of propriety in the use of
language, which no secondary means at that time could have given him.
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