Introduction to the Literature of Europe in the Fifteenth, Sixteenth, and Seventeenth Centuries, Vol. 1Hallam, Henry
History
Introduction to the Literature of Europe in the Fifteenth, Sixteenth, and Seventeenth Centuries, Vol. 1
Hallam, Henry
Literature, Modern -- History and criticism
55. Without rejecting, by any means, the influence of these collateral
and preparatory circumstances, we might ascribe more direct efficacy to
the favour shown towards women in succession to lands through
inheritance or dower, by the later Roman law, and by the customs of the
northern nations; to the respect which the clergy paid them (a subject
which might bear to be more fully expanded); but, above all, to
the gay idleness of the nobility, consuming the intervals of peace in
festive enjoyments. In whatever country the charms of high-born beauty
were first admitted to grace the banquet or give brilliancy to the
tournament,--in whatever country the austere restraints of jealousy were
most completely laid aside,--in whatever country the coarser, though
often more virtuous, simplicity of unpolished ages was exchanged for
winning and delicate artifices,--in whatever country, through the
influence of climate or polish, less boisterousness and intemperance
prevailed,--it is there that we must expect to find the commencement of
so great a revolution in society.
|It is not shown in old Teutonicpoetry; but appears in the stories of
Arthur.|
56. Gallantry, in this sense of a general homage to the fair, a
respectful deference to woman independent of personal attachment, seems
to have first become a perceptible element of European manners in the
south of France, and, probably, not later than the end of the tenth
century,[299] it was not at all in unison with the rough habits of the
Carlovingian Franks, or of the Anglo-Saxons. There is little, or, as far
as I know, nothing of it in the poem of Beowulf, or in the oldest
Teutonic fragments, or in the Nibelungen Lied;[300] love may appear as a
natural passion, but not as a conventional idolatry. It appears, on the
other hand, fully developed in the sentiments as well as the usages of
northern France, when we look at the tales of the court of Arthur, which
Geoffrey of Monmouth gave to the world about 1128. Whatever may be
thought of the foundation of this famous romance,--whatever of legendary
tradition he may have borrowed from Wales or Britany, the position that
he was merely a faithful translator appears utterly incredible.[301]
Besides the numerous allusions to Henry I. of England, and to the
history of his times, which Mr. Turner and others have indicated, the
chivalrous gallantry, with which alone we are now concerned, is not
characteristic of so rude a people as the Welsh or Armoricans. Geoffrey
is almost our earliest testimony to these manners; and this gives the
chief value to his fables. The crusades were probably the great means of
inspiring an uniformity of conventional courtesy into the European
aristocracy, which still constitutes the common character of gentlemen;
but it may have been gradually wearing away their national peculiarities
for some time before.
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