Introduction to the Literature of Europe in the Fifteenth, Sixteenth, and Seventeenth Centuries, Vol. 2Hallam, Henry
History
Introduction to the Literature of Europe in the Fifteenth, Sixteenth, and Seventeenth Centuries, Vol. 2
Hallam, Henry
Literature, Modern -- History and criticism
[149] Keckermann, Præcognita Logica, p. 110 (edit 1606.)
[150] Id. p. 147.
|Campanella.|
8. The first name, in an opposite class, that we find in descending
from the sixteenth century, is that of Thomas Campanella, whose
earliest writings belong to it. His philosophy being wholly
dogmatical, must be classed with that of the paradoxical innovators
whom he followed and eclipsed. Campanella, a Dominican friar, and like
his master Telesio, a native of Cosenza, having been accused, it is
uncertain how far with truth, of a conspiracy against the Spanish
government of his country, underwent an imprisonment of twenty-seven
years; during which almost all his philosophical treatises were
composed and given to the world. Ardent and rapid in his mind, and, as
has just been seen, not destitute of leisure, he wrote on logic,
physics, metaphysics, morals, politics, and grammar. Upon all these
subjects his aim seems to have been to recede as far as possible from
Aristotle. He had early begun to distrust this guide, and had formed a
noble resolution to study all schemes of philosophy, comparing them
with their archetype, the world itself, that he might distinguish how
much exactness was to be found in those several copies, as they ought
to be, from one autograph of nature.[151]
[151] Cypriani Vita Campanellæ, p. 7.
|His theory taken from Telesio.|
9. Campanella borrowed his primary theorems from Telesio, but enlarged
that Parmenidean philosophy by the invention of his own fertile and
imaginative genius. He lays down the fundamental principle, that the
perfectly wise and good Being has created certain signs and types
(statuas atque imagines) of himself, all of which, severally as well
as collectively, represent power, wisdom, and love, and the objects of
these namely, existence, truth, and excellence, with more or less
evidence. God first created space, the basis of existence, the primal
substance, an immovable and incorporeal capacity of receiving body.
Next he created matter without form or figure. In this corporeal mass
God called to being two workmen, incorporeal themselves, but
incapable of subsisting apart from body, the organs of no physical
forms, but of their maker alone. These are heat and cold, the active
principles diffused through all things. They were enemies from the
beginning, each striving to occupy all material substances itself;
each, therefore, always contending with the other, while God foresaw
the great good that their discord would produce.[152] The heavens, he
says in another passage, were formed by heat out of attenuated matter,
the earth by cold out of condensed matter; the sun, being a body of
heat, as he rolls round the earth, attacks the colder substance, and
converts part of it into air and vapour.[153] This last part of his
theory Campanella must have afterwards changed in words, when he
embraced the Copernican system.
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