Introduction to the Literature of Europe in the Fifteenth, Sixteenth, and Seventeenth Centuries, Vol. 2Hallam, Henry
History
Introduction to the Literature of Europe in the Fifteenth, Sixteenth, and Seventeenth Centuries, Vol. 2
Hallam, Henry
Literature, Modern -- History and criticism
114. All single thoughts, it is the primary tenet of Hobbes, are
representations or appearances of some quality of a body without us,
which is commonly called an object. “There is no conception in a man’s
mind, which hath not at first totally, or by parts, been begotten upon
the organs of sense. The rest are derived from that original.”[264] In
the treatise on Human Nature he dwells long on the immediate causes of
sensation; and if no alteration had been made in his manuscript since
he wrote his dedication to the Earl of Newcastle in 1640, he must be
owned to have anticipated Descartes in one of his most celebrated
doctrines. “Because the image in vision, consisting in colour and
shape, is the knowledge we have of the qualities of the object of that
sense, it is no hard matter for a man to fall into this opinion, that
the same colour and shape are the very qualities themselves; and for
the same, cause, that sound and noise are the qualities of the bell,
or of the air. And this opinion hath been so long received, that the
contrary must needs appear a great paradox; and yet the introduction
of species visible and intelligible (which is necessary for the
maintenance of that opinion), passing to and fro from the object, is
worse than any paradox, as being a plain impossibility. I shall,
therefore, endeavour to make plain these points: 1. That the subject
wherein colour and image are inherent, is not the object or thing
seen. 2. That there is nothing without us (really) which we call an
image or colour. 3. That the said image or colour is but an apposition
unto us of the motion, agitation, or alteration, which the object
worketh in the brain, or spirits, or some external substance of the
head. 4. That, as in vision, so also in conceptions that arise from
the other senses, the subject of their inherence is not the object,
but the sentiment.”[265] And this he goes on to prove. Nothing of this
will be found in the Discours sur la Méthode, the only work of
Descartes then published; and, even if we believe Hobbes to have
interpolated this chapter after he had read the Meditations, he has
stated the principle so clearly and illustrated it so copiously, that,
so far especially as Locke and the English metaphysicians took it up,
we may almost reckon him another original source.
[264] Leviathan, c. 1.
[265] Hum. Nat., c. 2.
|Imagination and memory.|
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