The book familiarly known as the Lamentations consists of four elegies[1] (i., ii., iii., iv.) and a prayer (v.). The general theme of the elegies is the sorrow and desolation created by the destruction of Jerusalem[2] in 586 B.C.: the last poem (v.) is a prayer for deliverance from the long continued distress. The elegies are all alphabetic, and like most alphabetic poems (cf. Ps. cxix.) are marked by little continuity of thought. The first poem is a lament over Jerusalem, bereft, by the siege, of her glory and her sanctuary, i. 1-11, though the bitter and comfortless doom which she bewails in i. 12-22, is regarded as the divine penalty for her sin, i. 5, 8. Similarly in ii. 1-10 her sorrow and suffering are admitted to be a divine judgment. Her shame and distress are inconsolable, ii. 11-17, and she appeals to her God to look upon her in her agony, ii. 18-22. The third poem, probably the latest in the book, represents the city, after a bitter lament, iii. 1-21, as being inspired, by the thought of the love of God, to submission and hope, iii. 22-36. A prayer of penitence and confession, iii. 37-54, is followed by a petition for vengeance upon the adversaries, iii. 55-66. The fourth poem, like the second, offers a very vivid picture of the sorrows and horrors of the siege: it laments, in detail, the fate of the people, iv. 1-6, the princes, iv. 7-11, the priests and the prophets, iv. 12-16, and the king, iv. 17-20, and ends with a prophecy of doom upon the Edomites, iv. 21, 22, who behaved so cruelly after the siege (Ps, cxxxvii. 7). In the last poem the city, after piteously lamenting her manifold sorrows, v. 1-18, beseeches the everlasting God for deliverance therefrom, v. 19-22. [Footnote 1: In the Hebrew elegiac metre, as in the Greek and Latin, the second line is shorter than the first--usually three beats followed by two.] [Footnote 2: An unconvincing attempt has been made to refer the last two chapters to the Maccabean age--about 170 B.C.]