Introduction to the Old TestamentMcFadyen, John Edgar
Religion
Introduction to the Old Testament
McFadyen, John Edgar
Bible. Old Testament -- Introductions
It is unfortunate that some of the noblest utterances on religion in
the book of Jeremiah have been, for reasons more or less convincing,
denied to him: e.g. the great passage which looks out upon a time
when the dearest material symbols of the ancient religion would no
longer be necessary; days would come when men would never think of
the ark of the covenant, and never miss it, iii. 16. But even if it
could be proved that these words were not Jeremiah's, it was a sound
instinct that placed them in his book. He certainly did not regard
sacrifice as essential to the true religion, or as possessing any
specially divine sanction, vii. 22, and the thinker who could utter
such a word as vii. 22 is surely on the verge of a purely spiritual
conception of religion, if indeed he does not stand already within
it. If the temple is not indispensable, vii. 4, neither could the
ark be.
This severely spiritual conception of religion is but the outcome of
the intensely personal religious experience of the prophet. There is
no other prophet whose intercourse with the divine spirit is so
dramatically portrayed, or into the depths of whose heart we can so
clearly see. He speaks to God with a directness and familiarity that
are startling, "Why hast Thou become to me as a treacherous brook,
as waters that are not sure?" xv. 18. He has little of the serene
majesty of Isaiah whose eyes had seen the king. His tender heart,
ix. 1, is vexed and torn till he curses not only his enemies, xi.
20ff., but the day on which he was born, xx. 14-18. He did not
choose his profession, he recoiled from it; but he was thrust into
the arena of public life by an impulse which he could not resist.
The word, which he would fain have hidden in his heart, was like a
burning fire shut up in his bones, and it leaped into speech of
flame, xx. 9.
As a poet, Jeremiah is one of the greatest. He knows the human heart
to its depths, and he possesses a power of remarkably terse and
vivid expression. Nothing could be more weird than this picture of
the utter desolation of war;--
I beheld the earth,
And lo! it was waste and void.
I looked to the sky,
And lo! its light was gone.
I beheld the mountains,
And lo! they trembled.
And all the hills
Swayed to and fro.
I beheld (the earth)
And lo! there was no man,
And all the birds of the heaven
Had fled.
iv. 23-25.
A world without the birds would be no world to Jeremiah. Of singular
power and beauty is the lament which Jeremiah puts into the mouths
of the women:--
Death is come up at our windows,
He has entered our palaces,
Cutting off the children from the streets
And the youths from the squares.
Then the figure changes to Death as a reaper:--
There fall the corpses of men
Upon the face of the field,
Like sheaves behind the reaper
Which none gathers up.
ix. 21, 22.
Public-domain text, read in full here on John Shaqi.
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