Introduction to the study of historySeignobos, Charles
History
Introduction to the study of history
Seignobos, Charles
Historiography; History -- Study and teaching
IV. How, then, is it possible to imagine facts without their being
wholly imaginary? The facts, as they exist in the historian's mind, are
necessarily subjective; that is one of the reasons given for refusing to
recognise history as a science. But subjective is not a synonym of
unreal. A recollection is only an image; but it is not therefore a
chimera, it is the representation of a vanished reality. It is true that
the historian who works with documents has no personal recollections of
which he can make direct use; but he forms mental images on the model of
his own recollections. He assumes that realities (objects, actions,
motives), which have now disappeared, but were formerly observed by the
authors of the documents, resembled the realities of his own day which
he has himself seen and which he retains in his memory. This is the
postulate of all the documentary sciences. If former humanity did not
resemble the humanity of to-day, documents would be unintelligible.
Starting from this assumed resemblance, the historian forms a mental
representation of the bygone facts of history similar to his own
recollection of the facts he has witnessed.
This operation, which is performed unconsciously, is one of the
principal sources of error in history. The things of the past which are
to be pictured in imagination were not wholly similar to the things of
the present which we have seen; we have never seen a man like Cæsar or
Clovis, and we have never experienced the same mental states as they. In
the established sciences it is equally true that one man will work on
facts which another has observed, and which he must therefore represent
to himself by analogy; but these facts are defined by precise terms
which indicate what invariable elements ought to appear in the image.
Even in physiology the notions which occur are sufficiently clear and
fixed for the same word to evoke in the minds of all naturalists similar
images of an organ or a movement. The reason is that each notion which
has a name has been formed by a method of observation and abstraction in
the course of which all the characteristics which belong to the notion
have been precisely determined and described.
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