All this would be proof enough that the obsessive act is full of meaning; it _seems_ to be a representation, a repetition of that all-important scene. But we are not bound to stop at this semblance; if we investigate more closely the relation between the two situations we shall probably find out something more, the purpose of the obsessive act. The kernel of it evidently lies in the calling of the maid, to whom she displays the mark, in contrast to her husband’s words: “It’s enough to disgrace one before the servant.” In this way he, whose part she is playing, is _not_ ashamed before the servant, the stain is where it ought to be. We see therefore that she has not simply repeated the scene, she has continued it and corrected it, transformed it into what it ought to have been. This implies something else, too, a correction of the circumstance which made that night so distressing, and which made the red ink necessary: namely, the husband’s impotence. The obsessive act thus says: “No, it is not true, he was not disgraced before the servant, he was not impotent.” As in a dream she represents this wish as fulfilled, in a current obsessive act, which serves the purpose of restoring her husband’s credit after that unfortunate incident. Everything else which I could tell you about this lady fits in with this, or, more correctly stated, everything else that we know about her points to this interpretation of the obsessive act, in itself so incomprehensible. She had been separated from her husband for years and was trying to make up her mind to divorce him legally. But there would have been no prospect of being free from him in her mind; she forced herself to be true to him. She withdrew from the world and from everyone so that she might not be tempted, and in her phantasies she excused and idealized him. The deepest secret of her illness was that it enabled her to shield him from malicious gossip, to justify her separation from him, and to make a comfortable existence apart from her possible for him. The analysis of a harmless obsessive act thus leads straight to the inmost core of the patient’s disease, and at the same time betrays a great deal of the secret of the obsessional neurosis in general. I am quite willing that you should spend some time over this example, for it unites conditions which cannot reasonably be expected in all cases. The interpretation of the symptom was discovered by the patient herself in a flash, without guidance or interference from the analyst, and it had arisen in connection with an event which did not belong, as it commonly does, to a forgotten period in childhood, but which had occurred in the patient’s adult life and was clear in her memory. All those objections which critics habitually raise against our interpretations of symptoms are quite out of place here. To be sure, we cannot always be so fortunate.