When Morse reached Boston, although but twenty-four years old, he found that fame had preceded him. His prestige was such that he set up his easel with high hopes and fair prospects for the future, both destined soon to be dispelled. The taste of America had not risen to the appreciation of historical pictures. His original compositions and his excellent copies of the masterpieces of the Old World excited the admiration of cultured people, but no orders were given for them. He left Boston almost penniless after having waited for months for patronage, and determined to try to earn his bread by painting the portraits of people in the rural districts of New England, where his father's name was a household word. During the autumn of 1816 and the winter of 1816-1817 he visited several towns in New Hampshire and Vermont, painting portraits in Walpole, Hanover, Windsor, Portsmouth, and Concord. He received the modest sum of $15 for each portrait. From Concord, N.H., he writes to his parents: "I am still here (August 16th) and am passing my time very agreeably. I have painted five portraits at $15 each, and have two more engaged and many talked of. I think I shall get along well. I believe I could make an independent fortune in a few years if I devoted myself exclusively to portraits, so great is the desire for good portraits in the different country towns." He doubtless was candid when he wrote that he was "passing his time in Concord very agreeably," for it was here that he met Lucretia P. Walker, who was accounted the most beautiful and accomplished young lady of the town, whom Morse subsequently married. She was a young woman of great personal loveliness and rare good sense. The young artist was attracted by her beauty, her sweetness of temper, and high intellectual qualities. All the letters that she wrote to him before and after their marriage he carefully preserved, and these are witnesses to her intelligence, education, tenderness of feeling, and admirable fitness to be the wife of such a man. Gradually Morse's portraits became so much in demand that he was enabled to increase his price to $60, and as he painted four a week upon the average, and received a good deal of money during a tour in the South, he was enabled to return to New England in 1818 with $3,000, and to marry Miss Walker on October 6th of that year.