The first years of Morse's married life were passed in Charleston, S.C.,
after which he returned to New England, and having laid by some little
capital, he took up again what he deemed to be his real vocation--the
painting of great historical pictures. His first venture in this
direction was an exhibition picture of the House of Representatives at
Washington. As a business venture it was disastrous, and resulted in the
loss of eighteen months of precious time. It was finally sold to an
Englishman. Then began Morse's life in New York. Through the influence
of Isaac Lawrence he obtained a commission from the city authorities of
New York to paint a full-length portrait of Lafayette, who was then in
this country. He had just completed his study from life in Washington in
February, 1825, when he received the news of the death of his wife. A
little more than a year afterward both his father and mother died.
Thenceforward his children and art absorbed his affections.
He was an artist, heart and soul, and his professional brethren soon had
good reason to be grateful to him. The American Academy of Fine Arts,
then under the presidency of Colonel John Trumbull, was in a languishing
state and of little use to artists. The most advanced of its members
felt the need of relief, and a few of them met at Morse's rooms to
discuss their troubles. At that meeting Morse proposed the formation of
a new society of artists, and at a meeting held at the New York
Historical Society's rooms the "New York Drawing Association" was
organized, with Morse as its president. Trumbull endeavored to compel
the new society to profess allegiance to the academy, but Morse
protested, and thanks to his advice, on January 18, 1826, a new art
association was organized under the name of the "National Academy of
Design." Morse was its first president, and for sixteen years he was
annually elected to that office. The friends of the old academy were
wrathful and assailed the new association. A war of words, in which
Morse acted as the champion of the new society, was waged until victory
was conceded to the reformers. Thus Morse inaugurated a new era in the
history of the fine arts in this country. He wrote, talked, lectured
incessantly for the advancement of art and the Academy of Design.
[Illustration: Under Side of a Modern Switchboard, showing 2,000 Wires.]
Public-domain text, read in full here on John Shaqi.
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