Shears for metal, cutting scissors-fashion, have long been familiar; the Pittsburg, Fort Wayne and Chicago Railroad employs the Murphy machine, on the same principle, to cut up old ties and bridge timbers intended for fuel. The upper moving blade is set about an inch out of line from the lower fixed blade, so as to allow spikes or bolts to pass through without injuring the machine. In dividing cord wood for stoves and furnaces a machine of this kind might be used instead of a saw. It is by perfect means of subdivision that new and cheap materials for writing and printing are now produced. The leaves offered by the papyrus to scribes were used for centuries, so that the plant has given its name to paper now made from fibres of cotton, linen, or wood, finely divided, thoroughly mixed, and squeezed between rollers much as if paste. Paper from its smoothness, its absence of grain and its low price, is far preferable to papyrus leaves or vellum. Its manufacture has been copied in diverse new industries. Wood ground to powder, worked into pulp, molded into pails, tubs and the like, is saturated with oil to produce wares of indurated fibre. A pail thus manufactured will not split apart in dry weather when empty, or absorb liquids, and it is as easily kept clean as glass. While wood has thus found a rival in pulp, stone has a new competitor much more formidable. Pavements and piers are often needed in long stretches, without joints for the admission of rain or frost. The demand is met by cements and concretes easily laid in unjointed miles. These materials when strengthened with skeletons of steel find many uses; a brief survey of them is given in this book. A sister product, terra cotta, baked at high temperatures, is now molded in beautiful designs not only for tiles, but as walls, cornices, finials, vases, hearths, and statuary. [Illustration: Mergenthaler linotype, showing five double wedges for justification.] Linotype and Its Use of Wedges. Clay as tablets was one of the first mediums of the printer’s art, an art of late years exposed to many a surprise from unexpected invaders. Composition is now performed by machines of various models, one of them being Mergenthaler’s linotype, as employed for this book. In effect this machine is a caster rather than a compositor, and recalls the chief tasks of the type-foundry. As an operator touches its keys he releases a succession of matrices, from which is cast a line as a unit. In its latest form this machine enables the operator to change instantly from one font to another, introducing roman, italic, and black face type in the same line at will. Intricate book, tabular and pamphlet matter, with chapter headings, titles, or marginal notes may in this new model be set up at a speed four to six times quicker than hand composition. [Illustration: J. W. Schuckers’ double-wedge justifier.]