Bigamy -- Fiction; Man-woman relationships -- Fiction; Mothers -- Fiction; Sisters -- Fiction; Young women -- Fiction
But she could see how terribly worried, how filled with dread and horror
he was, and she too grew apprehensive.
“I wish you’d explain!” she entreated.
“Wait! We’ll be home in a minute!”
“Was there someone who pretended to be our brother?”
“Minnie said he was.... I ... it will be cleared up in a minute or two
now. Nothing to worry over.”
But he was absolutely panting, wiping his streaming face as if in the
thick of some tremendous exertion.
They went on down the quiet old street, to Mr. Petersen’s beloved home.
It did not look at all as it had in the old days, when Frances used to
go there for books; the curtains were dirty, blankets were hanging out
of an upstairs window, and a baby’s toys littered the porch.
“Is there a baby?” Frances asked.
“Two,” he answered. “One of--his, and one of mine.”
She smothered a bitter sigh, and went with him through the gate, up the
walk and into the house. The sitting-room was empty, and very dirty; no
one in the dining-room, where the breakfast dishes still stood.
“They’re in the garden, I dare say,” said Mr. Petersen.
They hurried through the vile kitchen and down the back steps.
“There!” shouted Mr. Petersen, pointing to the end of the grape arbour.
“There’s Minnie and your brother!”
Frances gave a shriek that horrified him, that caused the two at the end
of the garden to look up suddenly:
“Her brother!” she cried, “Oh, Mr. Petersen! _Mr. Petersen!_ It’s her
_husband_!”
BOOK FOUR: THE DESTRUCTION OF LIONEL
CHAPTER TWENTY-FIVE
One might imagine a sort of allegorical picture of Minnie’s progress.
There would be Minnie, in her triumphal chariot, dressed in modern
garments for the reason that her rather short and matronly form would in
no wise be suited by any classic costume; she would be standing upright,
her expression anxious but resolute, driving with careful skill the twin
steeds which had carried her so well--Sex and Wilfulness, the latter
with a single eye. Before her walk slowly the victims dedicated to
sacrifice on her altar, Sandra and little Robert. Their poor little
faces bear the shadow of their destiny. Behind her walk Frances, erect
as ever, but incurably wounded--the woman robbed of her one love,--and
Mr. Petersen, the honest man despoiled of his good repute. And tied to
the car itself, dragged stumbling in her wake, stripped to the scornful
gaze of the populace, ruined, broken, is Lionel, fastidious ruler of a
tiny kingdom forever lost to him, shorn of all his pride and prestige,
most pitiable of all her victims.
And she never glances back; her gaze is steadfastly forward, toward the
future, where her children will surely suffer and die. She never looks
to one side or the other, sees nothing of what she passes, neither the
black valleys where lie bleaching bones, or the windy hill tops, bright
and beautiful. Never hears a friendly hail or a warning cry, or a call
for help.
Public-domain text, read in full here on John Shaqi.
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