Bigamy -- Fiction; Man-woman relationships -- Fiction; Mothers -- Fiction; Sisters -- Fiction; Young women -- Fiction
He had started to work in his brother’s office, which pleased Frankie,
for she had the American woman’s dislike for an unoccupied man. He said
he was doing well, and talked of an early marriage. But that, too, was
against Frankie’s principles. She wanted to wait, not because she wasn’t
sure of herself or of him, but because a hasty marriage appeared somehow
indecent to her. She even refused to tell her own people.
“Wait till I’ve known you a little longer,” she said.
Taken all in all, this “being engaged” was not what Frankie had
expected, was by no means the happiest time of her life, as she had
always been told it would be. With Lionel, _per se_, she could find no
fault. If he had been made to order for a Defoe he could not have been
more satisfactory. He was almost like a brother in his manner, never too
ardent, too pressing, or in any way offending her squeamishness. It was
for this she really adored him, for his delicacy and genuine kindliness.
She was too ignorant fully to appreciate it; she was simply vaguely
thankful that he was not like “some men” of whom she had read and heard.
Moreover, she had a little of Horace’s absurd admiration for Lionel’s
social graces. All the solid, substantial, serious people in the world
have it, this irrational and somewhat pathetic regard for the others,
the spenders, the wasters, the ones who refuse to conform to their
righteous code, the gay and audacious good-for-nothings. She knew that
she wouldn’t have _dared_ to do as he did, live after his style.
Sometimes she had misgivings, fancied her ideas for the future were
sordid and petty, her hope for an orderly, self-respecting sort of
existence, the house in the suburbs, with books and lectures and
intellectual friends.... An existence that had no place for the poor
fellow’s febrile excitements.
Characteristically she got Lionel into the picture by assuring herself
that he would change.
II
There came one day a careless little note, scrawled in huge letters on a
bizarre card with a purple and gold monogram:
“_Won’t you come for dinner on Thursday?_
“JULIE NAYLOR.”
Lionel explained it to her when he arrived that evening.
“Horace made her,” he said. “If she had her own way, I don’t think she’d
ever ask a woman into the house. Of course she’s out of the question.
Impossible. But for Horace’s sake, I wish you’d come. He’s a decent old
boy. And he likes you. Thought you were the prettiest thing he’s
seen---- You’ll go, won’t you?”
Upon reflection, it seemed the correct thing to do, and she consented.
Miss Eppendorfer helped her to get ready on the very important evening.
She took the greatest interest in the whole affair, was very arch about
it. Frances persisted in her “nothing really settled yet,” but Miss
Eppendorfer refused to believe it.
“Oh, I know all about such things!” she said.
Public-domain text, read in full here on John Shaqi.
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