A white chicken looked round the corner of the house. He was almost
full-grown. His comb shone red as wine. He peered and spied, crowed and
called. The hens came, a row of white hens at full speed, bodies
rocking, wings fluttering, yellow legs like drumsticks. The hens hopped
among the stacked peas. Battles began. Envy broke out. A hen fled with
a full pea-pod. Two cocks pecked her in the neck. The cat left the
sparrow nests to look on. Plump, there he fell down in the midst of the
flock. The hens fled in a long, scurrying line. The crowd thought: “It
must be true that the shoemaker has run away. One can see by the cat
and the hens that the master is away.”
The uneven street, muddy from the autumn rains, resounded with talk.
Doors stood open, windows swung. Heads were put together in wondering
whisperings. “He has run off.” The people whispered, the sparrows
chirped, the wooden shoes clattered: “He has run away. The old
shoemaker has run away. The owner of the little house, the young wife’s
husband, the father of the beautiful child, he has run away. Who can
understand it? who can explain it?”
There is an old song: “Old husband in the cottage; young lover in the
wood; wife, who runs away, child who cries; home without a mistress.”
The song is old. It is often sung. Everybody understands it.
This was a new song. The old man was gone. On the workshop table lay
his explanation, that he never meant to come back. Beside it a letter
had also lain. The wife had read it, but no one else.
The young wife was in the kitchen. She was doing nothing. The neighbors
went backwards and forwards, arranging busily, set out the cups, made
up the fire, boiled the coffee, wept a little and wiped away the tears
with the dish-towel.
The good women of the quarter sat stiffly about the walls. They knew
what was suitable in a house of mourning. They kept silent by force,
mourned by force. They celebrated their holiday by supporting the
forsaken wife in her grief. Coarse hands lay quiet in their laps,
weather-beaten skin lay in deep wrinkles, thin lips were pressed
together over toothless jaws.
The wife sat among the bronze-hued women, gently blonde, with a sweet
face like a dove. She did not weep, but she trembled. She was so
afraid, that the fear was almost killing her. She bit her teeth
together, so that no one should hear how they chattered. When steps
were heard, when the clattering sounded, when some one spoke to her,
she started up.
Public-domain text, read in full here on John Shaqi.
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