Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-loreBrown, Stephen J. M. (Stephen James Meredith)
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Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-lore
Brown, Stephen J. M. (Stephen James Meredith)
English fiction -- Irish authors -- Bibliography; Ireland -- In literature -- Bibliography
⸺ THE MERCHANT OF KILLOGUE: a Munster Tale. Three Vols. (_Heinemann_).
1894.
The Author’s first attempt at serious fiction, and one of his
finest works.
⸺ BALLYBEG JUNCTION. Pp. 276. (_Downey_). Very well illustr. by John F.
O’Hea. (N.Y.: _Pratt_). 1.75. 1895.
A comedy of southern Irish life, full of fun, without farcical
exaggeration, and true to reality.
⸺ PINCHES OF SALT. Pp. 246. (_Downey_). 3_s._ 6_d._ 1895.
Nine Irish tales, mostly humorous, not told in dialect; full
of keen observation of Irish life.—(Review). “The Eviction at
Ballyhack,” and “The Viceroy’s Visit” are among the best.
⸺ GLIMPSES OF ENGLISH HISTORY. (_Downey_). 3_s._ 6_d._ Illustr. by J. F.
Sullivan. 1901.
Versions of episodes in English History told by “Dan Banim” in
his usual dialect.
⸺ THE LITTLE GREEN MAN. Pp. 152. (_Downey_). Illustr. very tastefully by
Brinsley Lefanu.
The pranks of the Leprechaun and his dealings with his human
friend Denis. A delightful fairy-tale, told with a purpose,
which does not take anything from its interest.
⸺ CLASHMORE. Pp. 406. (WATERFORD: _Downey_). 1_s._ [1903]. New edition.
1909.
A tale of a mystery centering in the strange disappearance of
Lord Clashmore and his agent. The story is healthy in tone, and
never flags. There is a pleasant love interest. The dénouement
is of an original and unexpected kind. The scene is the
neighbourhood of Tramore and Dunmore, Co. Waterford. There is
little or no study of national problems or national life, but
some shrewd remarks about things Irish are scattered here and
there in the book. The characters are not elaborately studied,
but are well drawn.
⸺ DUNLEARY: Humours of a Munster Town. Pp. 323. (_Sampson, Low_). 6_s._
1911.
Fourteen capital yarns told with great verve and go just for
the sake of the story. They are all humorous, just avoiding
uproarious farce. The personages of the stories are the various
queer types to be met with in a small southern port:—the
convivial spirits in the local semi-genteel club, those of
lower degree who foregather in the bar parlour of the “Dragon,”
the rival editors of the local papers, the candidates for the
harbour mastership, the skippers of the Dunleary steam-packet
company, the professional jail-bird—Micky Malowney, and
the “general play boy” Jeremiah Maguire. There is no stage
Irishism, and no politics. Dunleary is, of course, W—rf—d.
=DOYLE, J. J.=
⸺ CATHAIR CONROI, and other Tales. (_Sealy, Bryers_). 6_d._
Written for the Oireachtas, 1902, and now translated by the
Author from his own Irish original. They are for the most part
Munster folk-lore.
=“DOYLE, Lynn”; Leslie A. Montgomery.= Born Downpatrick, Co. Down.
Educated at Educational Institution, Dundalk. Has written a successful
play, “Love and Land.” Is a bank-manager, residing at Skerries, Co.
Dublin.
Public-domain text, read in full here on John Shaqi.
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