Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-loreBrown, Stephen J. M. (Stephen James Meredith)
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Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-lore
Brown, Stephen J. M. (Stephen James Meredith)
English fiction -- Irish authors -- Bibliography; Ireland -- In literature -- Bibliography
Eight stories, six of which are Irish in subject. Seven of
the stories are tragedies. “The Doctor’s Joke” is the only
comedy. The title story tells how the father, after sixteen
years of absence, bread-winning in England, comes home to
find that the wife and children of the reality are far other
than what his dreams had pictured, and his wife has a similar
disillusionment. He is an outsider, and he realises it
bitterly. Painful tragedy is the outcome. The 2nd is a tragedy
of blighted hopes. The 3rd a lighter story laid in Fenian
times. 4. W. of Ireland. Love’s young dream destroyed by the
plotting of an ambitious and masterful old woman. Atmosphere
of loneliness and terror given to the whole. 5. A London slum
tragedy, with Irish characters. 6. A study in character, and
a peasant love-tale. All are told in beautiful and refined
language, often charged with pathos. The situations are
dramatic. The whole manner, the atmosphere, and the sentiment
are Irish.
=FITZPATRICK, T., LL.D.= Born, 1845, in Co. Down. Became a teacher in
early life. He was attached successively to Blackrock Coll., Dublin; St.
Malachy’s, Belfast; Athenry, Galway, and Birr schools. Of the last he was
headmaster in 1876. Was author of a serious historical work—_The Bloody
Bridge and other Studies of 1641._ Died 1912 in Dublin.
⸺ JABEZ MURDOCK, by “Banna Borka.” Two Vols. Pp. 300 + 335. (_Duffy_).
1_s._ 6_d._ (Two vols. in one). [1887]. 1888 still in print.
Scene: South Co. Down. The central figure is a rascally Scotch
settler who dabbles in poetry, and attains to wealth as “ajint”
by unscrupulous means. Between the episodes of his life are
interlarded scenes illustrating nearly every aspect of peasant
life at the time, all minutely and vividly described, and
conversations in which the problems of the times are discussed.
A good deal of humorous incident and character. The Author
evidently writes from first-hand knowledge. He is on the
Catholic and popular side. Period: first quarter of nineteenth
century.
⸺ THE KING OF CLADDAGH. Pp. 249. (_Sands_). Frontisp. ancient map of
Galway in 1651. 1899.
Galway City and County during Cromwellian period. Atrocities of
the eight years’ rule of the Roundheads. Forcible and vivid.
Point of view: National and Catholic.
=FITZSIMON, Miss E. A.=
⸺ THE JOINT VENTURE: A Tale in Two Lands. Pp. 327. (N.Y.: _Sheehy_). 1878.
Scene: opens in a valley of the Knockmealdowns, passes to
U.S.A. in ch. 7 (p. 109). Was a first novel, and so somewhat
immature. High moral and Catholic tone (perhaps somewhat
aggressive at times). Attacks Protestant divorce laws. One of
the best incidents, perhaps, is Mrs. Ned O’Leary’s conversion
to Catholicism.—(_Press Notices_). This was republ. in 1881
under title _Gerald Barry; or, The Joint Venture_.
=“FLOREDICE, W. H.”=
Public-domain text, read in full here on John Shaqi.
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