Mrs. Hall intends in these sketches to do for her village of Bannow, in Wexford, what Miss Mitford did for her English village. This district, she says, “possesses to a very remarkable extent all the moral, social, and natural advantages, which are to be found throughout the country.” The author proclaims (cf. Introduction) her intention “so to picture the Irish character as to make it more justly appreciated ... and more respected in England.” She applies to the peasantry the saying “their virtues are their own; but their vices have been forced upon them.” Again she says, “the characters here are all portraits.” Yet it must be confessed that the standpoint is, after all, alien, and something strangely like the traditional stage Irishman appears occasionally in these pages. There is, however, not a shadow of religious bias. The “Rambling Introduction” makes very pleasant reading. ⸺ LIGHTS AND SHADOWS OF IRISH LIFE. Three vols. (long). (_Colburn_). 1838. In five parts:—1. “The Groves of Blarney” (whole of Vol. I.). 2. “Sketches on Irish Highways during the Autumn of 1834” (whole of Vol. II.). 3. “Illustrations of Irish Pride” (two stories). 4. “The Dispensation.” 5. “Old Granny.” No. 1 “derives its title from an occurrence ... in ... Blarney ... about the year 1812.”—(_Pref._). It is a thoroughly good story, telling how Connor in order to win the fair widow Margaret, his early love, takes an oath against drinking, flirting, and faction-fighting for a year, and how a vengeful old tramp woman makes him break it on the very last day. Amusingly satirical portrait of the little Cockney, Peter Swan. Author’s sympathies thoroughly Irish. Contents of Vol. II.:—“The Jaunting Car,” “Beggars,” “Naturals,” “Servants,” “Ruins” [or stories told _a propos_ of them], &c. The dialect is very well done, full of humour and flavour. Characters all drawn from peasant class. ⸺ STORIES OF THE IRISH PEASANTRY. Pp. 302, (close print). (_Chambers_). [1840]. 1851, &c. Aims to reconcile landlords and peasantry. To this end tries to show each to what their enmity is due and how they may remedy the evil. The stories are to show the peasantry that their present condition is due to defects in the national character and in the prevailing national habits—chiefly drink, early marriages, laziness, conservatism, superstition. The Authoress has a good grasp of the ways of the people, but her reasoning is peculiar. When a peasant, driven to desperation by a cruel eviction, swears vengeance, this is put down to innate lawlessness, sinfulness, and a murderous disposition. Twenty stories in all, some melodramatic, some pastoral. ⸺ THE WHITEBOY. (_Ward, Lock, Routledge_). 2_s._, and 6_d._ [1845]. Several eds. since. (N.Y.: _Pratt_). 0.50.