Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-loreBrown, Stephen J. M. (Stephen James Meredith)
General
Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-lore
Brown, Stephen J. M. (Stephen James Meredith)
English fiction -- Irish authors -- Bibliography; Ireland -- In literature -- Bibliography
=LEVER, Charles.= Born (1806) in Dublin, of English parentage; graduated
at T.C.D. Wrote much for the NATIONAL MAGAZINE, the D.U. MAGAZINE,
BLACKWOOD’S, the CORNHILL, &c. Consul in Spezzia, 1858, and at Trieste,
1867. Here he died in 1872. Is by far the greatest of that group of
writers who, by education and sympathies, are identified with the English
element in Ireland. He was untouched by the Gaelic spirit, was a Tory in
politics, and a Protestant. “His imagination,” says Mr. Krans, “did not
enable him to see with the eyes of the Catholic gentry or the peasantry.
He knew only one class of peasants well—servants and retainers, and he
only knew them on the side they turned out to their masters. Most of his
peasants are more than half stage-Irishmen.” He had no sympathy with the
religious aspirations of Catholics, and his pictures of their religious
life are sometimes offensive. These are his limitations. On the other
hand, his books are invariably clean and fresh, free from vulgarity,
morbidness, and mere sensationalism. His first four books overflow with
animal spirits, reckless gaiety, and fun. It has been well remarked
by his biographer, W. J. Fitzpatrick, that his genius was much more
French than English. After _Hinton_ he is more serious, more attentive
to plot-weaving, and to careful character-drawing. His books give a
wonderful series of pictures of Irish life from the days of Grattan’s
Parliament to the Famine of 1846. Many of these pictures, though true to
certain aspects of Irish life, create a false impression by directing
the eye almost exclusively to what is grotesque and whimsical. Lever’s
portrait gallery is one of the finest in fiction. It includes the
dashing young soldiers of the earlier books; the comic characters, an
endless series; diplomatists, doctors, lawyers, politicians, usurers,
valetudinarians, aristocrats, typical Irish squires, adventurers,
braggarts, spendthrifts, nearly all definite and convincing. See Art,
in BLACKWOOD, Apr., 1862, and in DUBL. REV., 1872, Vol. 70, p. 379.
Also Edmund Downey’s book, _Charles Lever: his Life and Letters_. Many
of Lever’s novels were originally published in shilling monthly parts,
with two illustrations by “Phiz” (Hablot K. Browne), and had as great
a vogue as those of Dickens. There have been many editions since by
_Routledge_ (3_s._ 6_d._) and _Chapman & Hall_ (2_s._), with and without
illustrations, but the finest ever issued is:—
⸺ COMPLETE NOVELS. Edited by the Novelist’s Daughter. Thirty-seven Vols.
(_Downey_). Publ. £19 18_s._ Cloth. 1897-9.
The only complete and uniform ed. of Lever. Contains all
the original steel engravings and etchings by “Phiz” and
Cruikshank, and many ill. by Luke Fildes and other artists.
Ed. and annotated by means of unpublished memoranda found
among Author’s papers. Lever’s prefaces are printed, and
bibliographical notes appended to each story.
⸺ HARRY LORREQUER. Pp. 380. (N.Y.: _Dutton_). 1.00. [1839].
Public-domain text, read in full here on John Shaqi.
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