Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-loreBrown, Stephen J. M. (Stephen James Meredith)
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Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-lore
Brown, Stephen J. M. (Stephen James Meredith)
English fiction -- Irish authors -- Bibliography; Ireland -- In literature -- Bibliography
⸺ MONONIA. Pp. 383. (_Chatto & Windus_). 6_s._ [1901]. New edition, 1902.
Scene: a large Munster town, presumably Cork. Time: the
attempted rising in 1848. The chief interest is the unfolding
in action of the various characters. Some of these are
strikingly and distinctively portrayed. The treatment of
the love element is original, the course of true love being
smooth from the start. Here and there are pleasant bits of
description. The standpoint is Catholic and nationalist, but
without anti-English feeling, several of the principal and most
admirable characters being English. A happy love story runs
through the book.
=M’CARTHY, Justin Huntley.= S. of preceding. B. 1860. Ed. University
College School, London. Began writing 1881. Nationalist M.P. 1884-1892,
during which period he was an ardent politician. Publ. _England under
Gladstone_ (1884), and in the same year a successful play, “The
Candidate.” Then followed _Hours with Great Irishmen_, _Ireland since
the Union_, _The Case for Home Rule_, &c., and a number of books, poems,
tales, &c., on Oriental subjects. His knowledge of our myth and legend
has been described as comprehensive and exhaustive. He has publ. many
other novels and plays and volumes of verse. But of late years the
theatrical world has claimed him wholly.
⸺ LILY LASS. Pp. 150. (_Chatto & Windus_). 1_s._ 6_d._ 1889.
Picture from nationalist point of view of Young Ireland
movement, especially in Cork. Full of sensational incidents,
told with much verve.
⸺ THE ILLUSTRIOUS O’HAGAN. (_Hurst & Blackett_). 1905. (N.Y.: _Harper_).
1.50, &c.
Melodramatic adventures of two cosmopolitan adventurers of
Irish origin, in various parts of Europe and, in particular,
among the courts of the petty German princes, where very fast
living prevails. The picture we are given of these latter is
frank enough. The colouring is brilliant, the style bright and
swift. Copyrighted for the stage.
⸺ THE O’FLYNN. Pp. 352. (_Hurst & Blackett_). 1_s._ (N.Y.: _Harper_).
1.50. 1910.
O’Flynn is a swashbucklering, swaggering soldier of fortune,
who has seen service in the Austrian army. The story tells of
the varying fortunes of O’F. and of Lord Sedgemouth in their
rivalry for the hand of the Lady Benedetta Mountmichael. Both
suitors are in the service of King James, and the scene varies
between Dublin Castle and Knockmore, a castle “in the heart of
the Wicklow hills.” Full of more or less burlesque plots and
stratagems and surprises. Written in a pleasant but reckless
and rattling style. Smacks strongly of the stage throughout,
indeed it was originally a successful play before appearing in
book form. Incidents not historical. _Not for young people._
⸺ THE FAIR IRISH MAID. Pp. 344. (_Mills & Boon_). 6_s._ (N.Y.: _Harper_).
1.30. 1911.
Public-domain text, read in full here on John Shaqi.
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