An infant, child of a dying mother who had been abducted, is landed on Innisturk. He is adopted by the head man there, grows up, goes to England, and after many exciting adventures, love episodes, and hair-breadth escapes, finds out his own origin and succeeds to ancestral estates. Originally appeared as serial (with illustrations on steel by John Leech) under the title of _Brian O’Linn_ in BENTLEY’S MISCELLANY. =MAYNE, Thomas Ekenhead.= Son of a well-known bookseller of Belfast, was fast earning for himself a considerable literary reputation, but died at 32, 1899. ⸺ THE HEART O’ THE PEAT: Irish Fireside and Wayside Sketches. Pp. 214. (BELFAST: _W. Erskine Mayne_). 1_s._ Paper. 1899. “These are all Irish stories, written on the spot, with a faithfulness that can be felt in every line. There is no attempt at meretricious workmanship, no maudlin sentimentality, no mock heroics. They are simple tales, simply told; but occasionally the restraint, which is everywhere discernible, is relaxed for a moment, and the fire of the poet glows in half a dozen lines, as a landscape or a sea-piece is enthusiastically drawn, or some incident touches the gentle human heart of the writer.”—(James H. Cousins, in SINN FEIN). =“MEADE, L. T.”; Elizabeth Thomasina Toulmin Smith.= She was a daughter of Rev. R. T. Meade, of Nohoval, Co. Cork. She was b. at Bandon. She lived in England from 1874 till her death in 1915. Mudie’s catalogue enumerates 185 of her novels, many of which were stories for school girls. Of these novels several, no doubt, besides those here mentioned, relate to Ireland. ⸺ THE O’DONNELLS OF INCHFAWN. (_Hatchards_). 6_s._ 1887. ⸺ THE WILD IRISH GIRL. Pp. 444. (_Chambers_). 6_s._ Eight coloured Illustr. by the well-known PUNCH artist, Lewis Baumer. 1910. Warm-hearted, impulsive Patricia has been allowed to run wild at her own sweet will in Ireland. She is brought to London, finds the conventional restraints of society too narrow for her, and as a consequence gets into many amusing and harmless scrapes, and out of them again.—(_Press Notices_). ⸺ DESBOROUGH’S WIFE. Pp. 319. (_Digby, Long_). 6_s._ One Illustr. 1911. Scene: near Tralee, in Kerry. Patrick D. contracts a runaway marriage with a beautiful peasant girl. He falls heavily in debt, finds that his mother, on whom he had relied, is even more heavily involved, and that the only way out is a marriage with a rich heiress. Patrick basely yields, and the poor wife consents to “disappear,” but in a strange way, connected with a certain “silent room” in the D. mansion, whose secret we shall not divulge, things right themselves at last. Peter Maloney, Patrick’s faithful foster-brother, is curiously similar to Griffin’s Danny Mann. The moral tone is high. ⸺ PEGGY FROM KERRY. Pp. 330. (_Chambers_). 6_s._ Pretty cover and eight coloured Illustr. by Miss A. Anderson. 1912.