Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-loreBrown, Stephen J. M. (Stephen James Meredith)
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Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-lore
Brown, Stephen J. M. (Stephen James Meredith)
English fiction -- Irish authors -- Bibliography; Ireland -- In literature -- Bibliography
Land League story—extreme popular point of view; gives vivid
idea of feelings of people during hottest years of the
agitation. Introduces amiable Englishman who sees justice done
for his tenants. Clear and pleasant style.—(IRISH MONTHLY).
⸺ IRISH DROLLERIES. (_Drane_). 3_s._ 6_d._ 1909.
Ten comic stories such as “Pat Mulligan’s Love-making,”
a bashful young man “proposing” by proxy; “Miss Mullan’s
Mistake,” story of an elderly spinster who answers a
matrimonial advertisement with amusing results. Others are:
“Torsney’s Ghost,” “O’Hagan’s Golden Weddin’,” “Tim Mannion the
Hero,” “The Wake at Mrs. Doyle’s,” and so on.—(_Press Notice_).
“Mr. Moran has done much good work as a publisher of Irish
books in Aberdeen. In his humorous sketches of Irish life he
has ever striven to eschew the ‘Stage-Irishman’ type of vulgar
comicality. He writes much for various papers. Besides the
books noted here, he has published _A Deformed Idol_, &c.”
=MORGAN, Lady.= She was the daughter of a poor Dublin actor,
named Owenson, and was born in 1777. Her self-reliance, gaiety,
and accomplishments won her a prominent place in the literary
and social life of Dublin. She married Sir T. C. Morgan,
physician to the Lord Lieutenant. She protests energetically
in her books against the religious and political grievances
of Ireland. “Her books are a sign of the growth of a broader
spirit of Irish nationality and reflect the growing interest in
Irish history and antiquities.”—(_Krans_). She is said to have
published more than seventy volumes. Her satires of the higher
social life of Dublin are spirited and readable even to-day,
but their tone is often sharp and bad-tempered. She caught
well the outward drolleries of the lower classes: postillions,
innkeepers, Dublin porters, &c.; but she seldom looks beneath
the surface. It has been well said that her novels are
“thoroughly Irish in matter, in character, in their dry humour,
and cutting sarcasm; no less than in their vehemence and
impetuosity of feeling.” Twenty-two of her works are mentioned
by Allibone. She died in 1859.
⸺ ST. CLAIR; or, the Heiress of Desmond. [1803]. 1807, 1812.
“_St. Clair_, in sentiment and situation a weak imitation of
Werter, introduces an Irish antiquary, who discourses upon
local legends and traditions, ancient Irish MSS., and Celtic
history, poetry, and music.”—(_Krans_). Aims at upsetting the
notion of the possibility of platonic love between the sexes
without any approach to real attachment. Into the description
of places and scenes the Authoress worked much of her Connaught
experience.
⸺ ST. CLAIR EN OLIVIA ... MET PLATEN. Dutch trans. by F. van Teutem.
(AMSTERDAM). 1816.
⸺ THE WILD IRISH GIRL. [1806]. (N.Y.: _Haverty_). 1.50. (_Routledge_).
_n.d._ 6_d._
Public-domain text, read in full here on John Shaqi.
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