Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-loreBrown, Stephen J. M. (Stephen James Meredith)
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Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-lore
Brown, Stephen J. M. (Stephen James Meredith)
English fiction -- Irish authors -- Bibliography; Ireland -- In literature -- Bibliography
An exquisite little tale, not of the realistic sort, but sweet
and ideal. Kevin and Fanchea are little peasant playmates
together in Killeevy. Kevin is dull at his books, but full
of the love of nature. Fanchea is a fairy with a bird-like
voice. One day she is stolen by gipsies, then by strange
fortune gets into the upper stratum of society. Kevin goes
out into the world to look for her. He gets education and
becomes a poet. After long years they meet again and all is
well. Killeevy is an Irish-speaking district where the people
treasure religiously their Irish MSS. Here and there there
are pen-pictures of much beauty. It is not of course a mere
children’s book. It has been well said of the book: “It is our
own world after all, seen through the crystal of pure language,
artistic sense, and joyous perception of natural beauty.”
⸺ THE WALKING TREES; and Other Tales. Pp. 256. (_Gill_). 1885.
Contains “The Girl from under the Lake,” an Irish fairy tale,
occupying about one-third of the book. It is charmingly told.
⸺ MARCELLA GRACE: an Irish Novel. (_Kegan, Paul_). 6_s._ 1886.
A story with an elaborate plot, full of dramatic incident.
Incidentally the evils of landlordism and Fenianism are dwelt
upon, the former in the picture drawn of the hovels, the
starved land, and the meek misery of the people—and here the
author is at her best. The minor characters are clearly and
sympathetically drawn, evidently from life. There is much
sadness and even tragedy in the story. The Phœnix Park Murders
are touched upon.
⸺ A FAIR EMIGRANT. Pp. 370. (_Kegan, Paul_). 2_s._, &c. [1889]. New ed.,
1896, &c.
Period: about the ’seventies. Scene: at first in America
(farming life), then in Ireland, north coast of Antrim. A love
story. The heroine, one of those whom all must love, is an only
daughter, whose mission in life is to clear her dead father’s
reputation. Full of romantic incident. There is a picture of
the landlord class of the time, and there are many good things
about the vexed economic and social questions of the day. The
book has the Author’s usual grace of diction, sincerity of
thought, and fine descriptions of scenery. It was very highly
praised in Irish, English, and Scotch literary journals.
⸺ NANNO. Pp. 287. (_Grant Richards_). 3_s._ 6_d._ 1899.
A rural love-story. Scene: Dublin and Youghal and Ardmore. The
heroine is a girl born in the workhouse, who is saved from
its dangerous and degrading atmosphere, and raised, by true
affection and by living among good country people, to high
moral feeling and purpose and to the heights of self-sacrifice.
The most realistic and the strongest of Lady Gilbert’s works.
Esteemed by the literary critics and by herself to be the best
of her novels. It is based on facts, and it occasioned the
reform of certain abuses in workhouses.
Public-domain text, read in full here on John Shaqi.
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