Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-loreBrown, Stephen J. M. (Stephen James Meredith)
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Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-lore
Brown, Stephen J. M. (Stephen James Meredith)
English fiction -- Irish authors -- Bibliography; Ireland -- In literature -- Bibliography
The story of a treasure buried by buccaneers in an old
graveyard near Dublin, telling how the chief characters of the
tale, after many exciting adventures in Peru at the time of the
revolution there, eventually find the treasure and also the
heir to the earldom of Glenholme.
⸺ THE SHAN VAN VOCHT: a Tale of ’98. Pp. 347. (_Gill_). 2_s._ 6_d._
_n.d._ [1883]. Several since.
A melodramatic story, full of hairbreadth escapes, related with
a good deal of dash, and at times of power. Tells of Tone’s
negotiations in Paris leading to the various attempted French
invasions of Ireland, with a detailed and vivid account of
that in which Admiral Bompart was defeated in Lough Swilly and
Tone himself captured, also details of the latter’s trial and
execution.
⸺ THE FORGE OF CLOHOGUE. Pp. 332. (_Sealy, Bryers, and Gill_). [1885].
5th ed., 1912.
The story opens on Christmas Eve, 1797, and ends with the
battle of Ross, including very stirring descriptions of the
battle there and at Oulart. As is usual with this Author, the
plot is somewhat loose, there are improbabilities, and the love
interest is of a stereotyped kind; yet the reader is carried
along by the quick succession of exciting incident. Of course
the standpoint is national. A good idea is given of the state
of the country at the time.
⸺ THE HOUSE IN THE RATH. Pp. 291. (_Sealy, Bryers_). 2_s._ [1886]. Fifth
ed., 1909.
Has the usual qualities of this Author’s stories: plenty of
exciting and dramatic incident, and stirring descriptions—among
the latter the battle of Camperdown. Deals with Wolfe Tone’s
efforts to obtain aid from France for the United Irishmen and
with the plans of the latter at home. Lord Edward Fitzgerald
and Oliver Bond appear. There are pictures, too, of the
atrocities of the yeomanry. Interwoven with these events there
is a romance of private life centering in the cleverly drawn
characters of Teague, the Fiddler, and Kate Hatchman. As usual,
the Author makes much use of “the long arm of coincidence.”
⸺ CONVICT No. 25; or, The Clearances of Westmeath. Pp. 324. (_Duffy_).
3_s._ 6_d._ [1886]. Fifth ed., 1913.
Depicts landlordism in its worst days and at its worst—about
forty or fifty years ago. A complicated and somewhat
melodramatic plot in which probability is a good deal strained.
A slight love story runs through the book.
⸺ THE FORTUNES OF MAURICE O’DONNELL. 1887, and two others since.
⸺ HUGH ROACH, THE RIBBONMAN. (_Duffy_). 1_s._ [_c._ 1887]. Fourth ed.,
1909.
One of the most popular of the author’s stories. The
leading incidents are founded on occurrences of the time.
Full of thrilling and dramatic situations and historical
pictures.—(FREEMAN).
⸺ LUKE TALBOT. Pp. 278. (_Sealy, Bryers_). 1_s._ 1890. Sixth ed. in
preparation.
Public-domain text, read in full here on John Shaqi.
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