⸺ SHILLELAGH AND SHAMROCK. (_Chatto_). 3_s._ 6_d._ 1902. Short stories dealing mainly with the wild scenes of old election days. Pictures of evictions and the old-time fox-hunting, whiskey-drinking landlord. Always on the peasants’ side. Tales full of voluble humour and “go.” The peasants’ talk is faithfully and vividly reproduced. ⸺ IN THE DAYS OF GOLDSMITH. Pp. 309. (_Long_). 6_s._ 1903. A panegyric of Goldsmith, dealing with the part of his life spent in England. Conversations introducing Reynolds, Beauclerk, Johnson, etc., the latter’s talk recorded with Boswellian fidelity. A picture, too, of the life and manners of the day drawn with such frankness as to render the book unfit for the perusal of certain classes of readers. ⸺ PATSY THE OMADHAUN. Pp. 260. (_Chatto_). 3_s._ 6_d._ (N.Y.: _Benziger_). 0.60. 1904. A dozen short stories, in which the village tailor recounts the exploits of Patsy, who proves to be by no means the fool he seems, and extricates himself and his friends from all kinds of comical situations. All told in broadest brogue. Somewhat farcical comicality. ⸺ TRUE MAN AND TRAITOR. (_Duffy_). 1910. The career of Robert Emmet from his Trinity days to his tragic end, told in the Author’s usual spirited fashion. Emmet is represented as an able and practical organizer, but the story of his love for Sarah Curran is not neglected. The historical facts are thoroughly leavened with romance—Emmet’s perilous voyage to France in a fishing-hooker, the detailed accounts of his interviews with Napoleon, the character of Malachi Neelin, the traitor: these and many other things are blended with the narrative of real events. =[BOLES, Agnes], “J. A. P.”= ⸺ THE BELFAST BOY. Pp. 464. (_Nutt_). 5_s._ 1912. Opens in Belfast during the great riots of twenty-five years ago. The hero, falsely accused of murder, flees to South Africa, where he becomes a millionaire, and is known as “The Belfast Boy.” The heroine, when she is going out to marry him, omits to mention that she is leaving a son and his father (the villain) in Belfast. These are conveniently got rid of, one by lightning, the other by lightning-like small-pox. Several real persons are introduced as personages in the story. Many of the incidents are sensational, there is much dialect, and the style in places is far from refined. An intense love for Belfast and its surroundings pervades the book.—(_Press Notices_). =BOVET, Madame.= ⸺ TERRE D’EMERAUDE. =BOWLES, Emily.= ⸺ IRISH DIAMONDS: A Chronicle of Peterstown. Pp. 219. (_Richardson_). 1864.