Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-loreBrown, Stephen J. M. (Stephen James Meredith)
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Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-lore
Brown, Stephen J. M. (Stephen James Meredith)
English fiction -- Irish authors -- Bibliography; Ireland -- In literature -- Bibliography
Story of a young barrister named Tarleton, who while studying
in London forms a firm friendship with Gerald MacCullagh
(really O’Donnell), who becomes a nationalist leader. The
latter, in spite of himself, sees the national movement drift
into one of incendiarism and robbery, resulting, among other
things, in a night attack (fully described) on Merton Castle,
somewhere in Co. Clare. Tarleton refusing to give up his friend
is disowned by his father, and comes to live in a Dublin
boarding house. There are good pictures of Dublin life, the
amusing foibles of a peculiar section of the upper classes
being well hit off. The Author gives his views on the various
questions of the day. Shows how the Bar was injured by the
prevalent jobbery. There are a good many incidents, but perhaps
they scarcely rescue the book from being dull.
⸺ THE GAP OF BARNESMORE. Three Vols, each about 335 pp. (LONDON). 1848.
“A tale of the Irish Highlands and the Revolution of 1688.”
Appeared without the author’s name. An attempt to portray,
without partisan bias, the events of the time and the heroism
of both sides in the Williamite Wars. The whole question at
issue between the colonists and the native Irish is well
discussed in a conversation between Father Meehan, representing
the latter, and Captain Spencer, representing the former. Every
word of it applies, as it was meant to apply, to modern times.
⸺ CHAPTERS OF COLLEGE ROMANCE. Pp. 344. (LONDON). 1863.
A reprint of stories that first appeared in the DUBLIN
UNIVERSITY MAGAZINE, some of them as far back as 1834. The
purpose and character of these stories is well described in
Preface:—“When I say that these pages are the romance of truth,
I mean that they are true.... I am very sure that if I succeed
in simply bringing before the reader’s eyes the life and the
death of many whom I myself remember gay and light-hearted....
I shall have done something towards impressing on his mind the
lesson, ‘remember thy Creator.’” He tells us also, “I was much,
very much longer an inmate of Alma Mater than falls to the
average of her sons.” Five Stories, tragic for the most part,
viz. I. “The Billiard Table” (ruinous results of gambling.) II.
“Reading for Honours” (a harrowing story of the fatal results
of jealousy). III. “The Mariner’s Son.” IV. “The Murdered
Fellow; an incident of 1734.” V. “The Sizar,” “a story of a
young heart broken in the struggle for distinction.”
⸺ CHILDREN OF SORROW.
An obituary notice in, I think, the IRISH TIMES describes this
as Butt’s first essay in fiction, but the book is not in the
British Museum Library, and I have been unable to trace it.
=BUXTON, E. M. Wilmot-=, _see_ =WILMOT-BUXTON=.
=[BYRNE, E. J.].= Author of _Without a God_.
⸺ AN IRISH LOVER. Pp. 271. (_Kegan Paul_). 6_s._ 1914.
Public-domain text, read in full here on John Shaqi.
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