Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-loreBrown, Stephen J. M. (Stephen James Meredith)
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Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-lore
Brown, Stephen J. M. (Stephen James Meredith)
English fiction -- Irish authors -- Bibliography; Ireland -- In literature -- Bibliography
⸺ ANNE COSGRAVE.
“A vigorous attempt to exhibit the manners and customs, and
especially the religious feelings, of the Ulster people. Some
of the chapters are very graphic, and there is no lack of
Carleton’s peculiar humour.”—(_O’Donoghue_).
⸺ FATHER BUTLER AND THE LOUGH DERG PILGRIM: Sketches of Irish Manners.
Pp. 302. (_Curry_). 1829.
Published anonymously. Two of Carleton’s most virulently
anti-Catholic writings. The second, in particular, contains
passages which, for Catholics, are blasphemous.
⸺ THE POOR SCHOLAR; and other Tales. Pp. 252. (_Duffy_). 1_s._ Still in
print. [1830].
Selections, comprising some of Carleton’s best work, and
quite free from religious and political rancour. _The
Poor Scholar_ is full of human interest. Carleton works
powerfully upon all our best feelings in turn. Particularly
touching is his picture of the depth and tenderness of family
affections (he was himself a doting father). The pictures of
the hedge-schoolmaster’s brutalities, and of the days of the
pestilence are vivid. He is in this story altogether on the
side of the peasant. This little volume contains also eight
other stories, humorous for the most part, all excellent.
⸺ TALES OF IRELAND. [1834].
Contains: “The Death of a Devotee;” “The Priest’s Funeral;”
“Lachlin Murray and the Blessed Candle;” “Neal Malone;” “The
Dream of a Broken Heart,” &c. This last has been described as
one of the purest and noblest stories in our literature; but
the remainder are among Carleton’s feeblest efforts, and are
full of rank bigotry.
⸺ FARDOROUGHA THE MISER. Pp. 280. (_Downey_). [1839]. _n.d._ (N.Y.:
_Haverty_). 0.50.
Prefaces by the Author and by D. J. O’Donoghue. A powerful
novel, full of strong character study, and of deep and tragic
pathos, relieved by humorous scenes. Carleton tells us that all
the characters save one are drawn from originals well known to
himself. The original of the miser’s wife, a perfect type of
the Catholic Irish mother, was his own mother. Una O’Brien is
one of the loveliest of Carleton’s heroines. Honor O’Donovan
is scarcely less admirable. The mental struggles of the miser,
torn between the love of his son and the love of his money, are
finely depicted.
⸺ THE FAWN OF SPRINGVALE; THE CLARIONET, AND OTHER TALES. Two Vols. 1841.
⸺ PADDY GO EASY AND HIS WIFE NANCY. (_Duffy_), 1_s._ [1845]. Still
reprinted.
Racy sketch of humorous and good-natured but lazy, thriftless,
good-for-nothing Irishman, drawn with much humour and with the
faithfulness of a keen observer. But the book leaves on the
reader the absurd impression that this character is typical of
the average peasant. The story is a prototype of the famous
_Adventures of Mick M’Quaid_. The first title of this book was
originally _Parra Sastha_.
Public-domain text, read in full here on John Shaqi.
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