Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-loreBrown, Stephen J. M. (Stephen James Meredith)
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Ireland in Fiction: A Guide to Irish Novels, Tales, Romances, and Folk-lore
Brown, Stephen J. M. (Stephen James Meredith)
English fiction -- Irish authors -- Bibliography; Ireland -- In literature -- Bibliography
Idylls of Irish country life (West Limerick), told with
simplicity and genuine sympathy in language charged with
feeling, and often of much beauty. Memory has no doubt cast
a golden haze over the scenes and persons, idealizing them
somewhat, yet they are very real for all that. They are nearly
all in the form of stories, and are told with zest. Some
are sad enough, but with a sadness that is softened by the
kindly genial spirit of the teller. The writer is of course in
complete sympathy with the people. Many queer types (Micky the
Fenian, the bell-man, Mad Matt the tramp, the polite beggar,
the believer in ghosts, &c.) are studied in these sketches.
“There is not one of the twenty-six sketches that is not in its
way a masterpiece.”—(C.B.N.).
=CASEY, W. F.=
⸺ ZOE: a Portrait. Pp. 376. (_Herbert & Daniel_). 6_s._ 1911.
A study from the life of an exceedingly unpleasant Dublin
girl, an inveterate society flirt. The plot is chiefly
concerned with her treatment of her various suitors, including
a loveless marriage, contracted with one of them in order to
spite another. Incidentally there are other clever character
studies—Major Delaney, Barry Conway, Maurice Daly. Some are
doubtless studies from life. Incidentally there is a clever and
accurate picture of the Dublin middle-class, with its golf, its
bridge, and its theatres. The Author has written successful
plays for the Abbey Theatre.—(_Press Notices_).
=CASSIDY, Patrick Sarsfield.=
⸺ GLENVEAGH; or, The Victims of Vengeance. (BOSTON). 1870.
First appeared in the BOSTON PILOT; afterwards in book form.
The Author was born at Dunkineely, Co. Donegal, 1852. In 1869
or so he emigrated to America, where he became a journalist.
Deals with the celebrated Glenveagh trials, arising from
difficulties between landlord and tenant, at which the author
had been present in boyhood. He wrote also _The Borrowed
Bride_: a Fairy Love Legend of Donegal. Pp. 255. (N.Y.:
_Holt_). 1892. A long story in verse.
=CAWLEY, Rev. Thomas.=
⸺ AN IRISH PARISH, ITS SUNSHINE AND SHADOWS. Pp. 189. (BOSTON: _Angel
Guardian Press_). 1911.
Stories collected from magazines in which they first appeared
(“Irish Rosary,” “C.Y.M.,” “Irish Packet”). Giving pictures
drawn with knowledge and skill, and considerable humour of
local celebrities and their political careers. Satirises the
shady side of local politics, and depicts the ruin wrought by
drink. But the moral is not too much obtruded. Father Cawley is
a curate in Galway City.
⸺ LEADING LIGHTS ALL: a Contentious Volume. Pp. 129. (GALWAY: _The
Connaught Tribune_). 6_d._ 1913.
Reprinted from “An Irish Parish,” _q.v._
=[CHAIGNEAU, William].=
⸺ THE HISTORY OF JACK CONNOR. Two Vols. 12mo. (DUBLIN). Plates. [1751].
Fourth edition. 1766.
Public-domain text, read in full here on John Shaqi.
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