She knew she would copy it in long hand, would go over every word of
every sentence. The other side of her, the shy-eyed maiden of dreams
who must be the wooed and not the wooer, would insist on deleting,
trimming down, making colorless the swift and passionate staccato of
the words. The letter she would send to Hollister would be pale and
neutral compared to this cry of the heart she was uttering.
The little glass-cased clock on her desk struck two. Betty was
surprised. She had been here alone with her thoughts for four hours.
The fire in the grate had died down and the room was beginning to
chill. She gathered the live coals and put upon them two split lengths
of resinous pine.
For a few minutes she sat before the blaze warming her hands. That was
the obvious reason for her staying. A more compelling one was that she
saw pictures in the coals, dream pictures of the future in which two
figures moved to the exclusion of all others. These had the texture of
fiction, not consciously, but because our conceptions of the future
must always be adjusted to a reality affected by environment and human
character.
Betty lifted her head and listened. What was that rushing, swishing
sound? She rose, startled, affected instantly by a sense of insecurity
and danger. Something crashed heavily against the wall. The floor
seemed to weave.
She went to the window and looked out into the darkness. A river, swift
and turbid, was roaring past where the lawn had been a few minutes
before. The girl stood terrified, her mind caught in the horror of
unknown disaster. Even as she stood there, she saw that the waters were
rising.
Again there sounded a rending crash of timbers. Like a battering-ram
the end of a telephone pole smashed through the side of the house,
crossed the room, and came to rest in the fireplace. With it came a
rush of water that covered the floor.
Betty screamed. Her panicky heart beat wildly. Was the world coming
to an end? She looked out again. What she saw was appalling--a swirl
of rising waters tossing like the backs of cattle on a stampede. She
noticed that the barn, plainly visible a few moments before, had
vanished from sight.
The sloshing tide in the room was rising. Already it reached the
bottom of her skirts. There was no longer any doubt that the floor was
tilting. The house had been swept from its foundations. Built of frame,
it was tossing on the face of a rough sea.
Betty waded to the stairway, climbing over the telephone pole. Except
Ruth and the old colored woman Mandy there was nobody in the house with
her. Both of these were sleeping on the second floor. In the bunkhouse
were three men employed by her, but she realized that it, too, must
have been carried away.
Public-domain text, read in full here on John Shaqi.
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