Is Spiritualism Based on Fraud?: The Evidence Given by Sir A.C. Doyle and Others Drastically ExaminedMcCabe, Joseph
Religion
Is Spiritualism Based on Fraud?: The Evidence Given by Sir A.C. Doyle and Others Drastically Examined
McCabe, Joseph
Doyle, Arthur Conan, 1859-1930; Mediums -- Practice; Spiritualism
Let us pass on to the musical accomplishments of the spirits; and here
again the gifted Daniel was one of the pioneer mediums. He induced the
spirits to play an accordion while he held it with one hand; and his
hand held it by the end farthest removed from the keys. Unfortunately,
the spirits laid down the condition that he must hold it out of sight,
underneath the table, and our interest is damped. We know something from
other mediums of the ways of doing this. While you are putting the
accordion under the table you change your hand from the back end to the
key end of the accordion. Then you can get the bellows to play by
pushing it against something or using a hook at the end of a strong
thread or catgut. It is well to remember that Home was a good musician.
Possibly he played a mouth-organ while the professor was looking
intently at the accordion.
But Home was put to a severe test, we are told. Sir W. Crookes made a
cage (like a waste-paper basket) to go under the table, and Home was
told to let the accordion hang in this. He could certainly not now use
his second hand or his feet, yet it "played." But, as Mr. Podmore, most
ingenious of critics, points out, no one saw the _keys_ move. The music
may have come from a musical box in Home's pocket, or placed by him on
the floor. The degree of light or darkness is not stated. The opening
and shutting of the accordion could be done by hooks, or loops of black
silk. So with the crowning miracle, when Home withdrew his hand, and the
accordion was seen suspended in the air, moving about in the cage (under
the dark table). It was probably hooked on to the table.
Before we pass on to other ghostly musicians, let us notice another feat
of Home's which Sir William Crookes records here. He placed a board with
one end on the table and the other on a spring balance. It was so shaped
(with feet at each end) that an enormous pressure would have to be
exerted on it at the table-end if the balance were to be appreciably
altered. Yet a light touch of Home's fingers caused the scale to
register six pounds. Podmore points out that this experiment had been
gradually reached. Home knew the conditions, and had made his
preparations. The light was poor, and a loop of strong silk thread at
the far end of the board, pulled from some part of his person, would not
be noticed. We shall see far more remarkable feats than this.
A pretty variation of musical mediumship was next introduced by Mrs.
Annie Eva Fay, another American fraud with whom Sir W. Crookes made
solemn scientific experiments. Florrie Cook was a chicken in comparison
with Annie Fay, and she triumphantly passed all the professor's tests.
She came to London in 1874, and everybody soon went to see and hear the
"fascinating American blonde" at the Hanover Square Rooms.
Public-domain text, read in full here on John Shaqi.
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