He appears to have preserved his mind in great stillness. It is the quiet and still mind which is wise and prudent; and, like Henry More, to whom we have referred, his life would repeat what that great man was wont to say, “In the more peaceful spirit, when it is also a quick and perceptive one, will always reside those faculties which are to the soul vision and power. In the deep and calm mind alone, in a temper clear and serene, such as is purged from the dregs, and devoid of the more disorderly tumults of the body, doth true wisdom or genuine philosophy, as in its own proper tower, securely reside.” Hence the first great attribute of Watts’ mind is _clearness_. He ever kept before him a purpose of _usefulness_, alike in teaching men what to think about, and how to think about it; indeed, it is simply true, as Gibbons has remarked, that _perspicuity_ was eminently a feature of his intellect; and it must be admitted that upon whatever he speaks or writes, he is always clearly to be understood—as we have seen, it was by no means a great virtue of his age, or of his contemporaries; and if he discoursed upon the more lofty and difficult subjects of thought or philosophy, they seem to acquire clearness in their passage through his mind. He did not crowd words upon each other, and images of every order were used by him, not to add to the splendour of a paragraph, or to set off a division, but for the purpose of reflecting light on the reader’s mind. He has dwelt himself upon the prime importance of perspicuity. In his “Improvement of the Mind,” he says: “He that would gain a happy talent for the instruction of others must know how to disentangle and divide his thoughts, if too many are ready to crowd into one paragraph; and let him rather speak three sentences distinctly and clearly, which the hearer receives at once with his ears and his soul, than crowd all the thoughts into one sentence, which the hearer has forgotten before he can understand it.” It is a prime virtue in Watts’ style that it is clear; it ought to be a chief virtue in every writer. In him it illustrated the character of his mind. He seemed even to be impatient of the dark and obscure, and he never would permit himself to repose near the absolutely incomprehensible without attempting in some way to understand it; so, also, as he attempts to express his mind upon any subject, his sentences instantly appear to be the very windows of the intellect. And this accounts for that other noticeable characteristic of his style—_its perfect ease_. There was smoothness and grace, the entire absence of the turgid and the bombastic; his sentences flowed along in happy harmony. Very frequently such a style conveys the impression that a man has nothing to say, when, perhaps, it is by immense labour, and by the study of the finest writers, and by conversation, that he has attained to that grace and natural ease of manner in which all who listen