Isaac Watts; his life and writings, his homes and friendsHood, Edwin Paxton
Religion
Isaac Watts; his life and writings, his homes and friends
Hood, Edwin Paxton
Watts, Isaac, 1674-1748
Quis me dolorum propria dignabitor umbra.
There we are permitted to fancy him. Such were his haunts among those
pleasant and sequestered shades, and such was his home. His rooms well
arranged and tasteful, as one biographer has depicted them. The lute and
the telescope on the same table with the Bible, a treatise on logic in
one hand, and hymns and spiritual songs in the other. Few writers in our
language seem to suggest a finer illustration of the mingled powers of
faith and reason.
With so small a family what a silent household it must have seemed,
sustained in its grand and memorable stateliness. There passed what we
may believe to have been the happiest years of Watts’ life, amidst scenes
inviting to rest, and with little to disturb the equanimity of his quiet
spirit, receiving and reflecting its own peace, peace not to be disturbed
even by much bodily restlessness and pain. Those numerous allusions in
his hymns to the wakeful hours of night were not mere poetic fancies,
“the comforts of my nights” were not unneeded; for many years he knew
little of sleep, except such as could be obtained by medicine; intense
mental application, working upon a weak and nervous constitution, brought
about the consequences of insomnia, or sleeplessness yet his mind seems
to have been too calm, too equally balanced, and too completely under
the control of highest principles, ever to know such agitations as shake
to their centre some poetic natures. Even public agitations did hot
disturb him much. Almost the severest trial he knew was the vehement and
intolerant persecution he sustained from the tongue and pen of Thomas
Bradbury; but to him we may refer in subsequent pages.
[Illustration]
[Illustration]
CHAPTER VII.
Hymns.
So early as the year 1700 Watts’ brother, Mr. Enoch Watts, wrote a letter
to him from Southampton, urging upon him the publication of his hymns. It
sets not only the mind of the writer as a member of the Doctor’s family
in a favourable light, as well as it expresses the probable general
feeling of desire for some hymns suitable for Divine service. We quote it
here:
“SOUTHAMPTON: _March, 1700_.
“DEAR BROTHER,—
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account