London (England) -- Social life and customs -- 19th century -- Fiction; Upper class -- Fiction
“Yes, the work of resigning myself to being nothing, of casting off
the last foolish flattery of self-conceit, of resolutely bidding myself
understand that fate will bear any amount of idle fuming and remain
unchanged. It is a task which has its difficulties; rather harder, on
the whole, than the realisation of death. Did you ever force yourself to
realise death, not to admit it in idle words, but to----”
Isabel motioned him to silence; her face was darkened with a look of
pain, of fear.
“Forgive me,” he said in a lower voice; “to me it is such a familiar
thought. I talk so seldom that I forget the difference between
reflection and conversation.”
She spent a moment in clearing her mind of the disturbing thought--it
seemed strangely disturbing, and at length banished it with the laugh
occasioned by a new idea.
“I wonder,” she said, changing her attitude, “what you----”
“You were going to say----?”
“You spoke of having thought of commerce. Suppose you had become a man
of business, and had made your fortune, what would your views of life
be?”
“Who can say? To begin with, I should only have ruined myself; no
fortune would ever have come in that way. Conceiving that it had, why
I should not be the same person that I am. Circumstances are the mould
which give shape to such metal as we happen to be made of. The metal is
the same always, but it may be cast for mean or for noble uses.”
“I do not think,” Isabel said with gentle reassurance, “that Fate uses
the nobler metals, for mean service; it has abundance of the poorer
stuff at hand.”
“That is very well said; if I dared apply it to myself I might yet live
awhile in the old fools paradise. But there is one gain which saves my
past years from utter vanity--I have learnt to know myself.”
“Have you?”
Kingcote smiled.
“You say that sadly. Yes, you are quite right. Self-knowledge, in my
case, is equivalent to disillusion, loss of hope.”
“I meant nothing of the kind,” she rejoined, after reflecting a moment
on the intention of his words, which she had not at first quite caught.
“I doubt whether you do know yourself. If you did, you would have more
confidence.”
“That is the kindness natural to you. But,” he added, softening the
words by his tone, “you do not know me.”
“No--not yet. It is not easy to know you. I cannot judge you by other
people.” Kingcote rose and walked to the fireplace; Mrs. Clarendon
watched him, but kept her seat.
“You know many people,” he said, speaking with his peculiar abruptness,
which was quite different from the tone of mere familiarity, seemed
indeed rather to accentuate the distance between them.
“Many,” Isabel returned, “in a way.”
“It must be strange to have so many acquaintances. It gives you the
sense of belonging to the world; you do not stand on the outside and
look on.”
“In a theatre--watching from an uncomfortable back seat? The stage is
open to you.”
Public-domain text, read in full here on John Shaqi.
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