London (England) -- Social life and customs -- 19th century -- Fiction; Upper class -- Fiction
“You don’t care for Rhoda; yet she has always been my favourite. Poor
things!” she added in a lower tone, “isn’t it hard that they should have
nothing in life to look forward to?”
Hilda turned to draw Mrs. Clarendon’s attention to a picture.
“Miss Warren has not come with you?” Kingcote asked, when there was
again opportunity.
“No; she kept at home. But the girls have just been surprising me. If
you buy to-day’s _Tattler_ you’ll find something that she has written--a
description--something about the river.”
“Verse?”
“No, prose. They are all in great excitement about it. I must get the
paper; I don’t suppose she’ll send it to me.”
Kingcote was much interested; he promised himself to read this
contribution as soon as possible.
When at length they reached the “Market Night,” it was very difficult to
get a view of the canvas. But for Isabel a few glances were enough.
“Oh, I don’t like that at all!” she exclaimed positively, moving away
from the throng. “Those faces are disgusting. I should not like to have
such a picture as that in my house.”
“In that I agree with you,” Kingcote said. Hilda had also come away and
was listening. “But it is a wonderful picture for all that.”
“What a pity he paints such things! Why don’t you make him choose
pleasant subjects?”
“I imagine Gabriel’s answer if I said such a thing to him,” said
Kingcote, smiling. “I suppose the artist must paint what he can and
will; our likes and dislikes will not much affect him. But don’t you
admire the skill and power, at all events?”
Hilda went to look again, guided by this remark; she snapped up anything
that seemed likely to instruct her taste with the eager voracity of a
robin.
But Isabel only shook her head and shuddered a little.
“Is the other picture as bad?” she asked.
“It’s just opposite; come and look.”
This was the child in front of the shop-window.
“No, not quite as bad,” was Isabel’s judgment. “But he has such a taste
for low subjects. Why doesn’t he paint decent people?”
“I’d rather keep clear of the gutter myself,” conceded her companion.
“Still----”
He did not conclude, and they crossed to the girls again. Shortly, Mrs.
Clarendon met with a party of friends, and Kingcote drew away. A tall,
heavy man of a military type bent insinuatingly as he talked to her;
King-cote fretted at the sight. To avoid and forget it he joined Hilda
Meres. The bright intelligence which made way through her shyness
charmed him; possibly the extreme respect with which she received
every word of his utterance did not diminish his interest in her. Rhoda
scarcely spoke, but her smile, too, was very sweet. How he wished that
his sister could have companions such as these! And, as Mary came into
his mind--she sitting alone in her widow’s weeds--he felt impatient with
the bright mob crushing about him. He did not need to be reminded, yet
it reminded him again, how heartless the world is....
Public-domain text, read in full here on John Shaqi.
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