In the legendary history of Friar Bacon, as “well as in an old play written by Robert Green, a dramatist in the days of Queen Elizabeth, it is recounted, that, having been summoned before the king, the friar was induced to show” some of his skill before her majesty the queen. So he waved his hand (_his wand_, says the text), and “presently was heard such excellent music, that they all said they had never heard the like.” Then there was heard a still louder music and four apparitions suddenly presented themselves and danced until they vanished and disappeared in the air. Then he waved his wand again, and suddenly there was such a smell “as if all the rich perfumes in the whole world had been there prepared in the best manner that art could set them out.” Then Roger Bacon having promised a gentleman to show him his sweetheart, he pulled a hanging in the king’s apartment aside and every one in the room saw “a kitchen-maid with a basting-ladle in her hand.” The proud gentleman, although he recognized the maiden who disappeared as suddenly as she had appeared, was enraged at the humiliating spectacle, and threatened the friar with his revenge. What does the magician do? He simply answers: “Threaten not, lest I do you more shame; and do you take heed how you give _scholars_ the lie again!” As a commentary on this, the modern historian[141] remarks: “This may be taken as a sort of exemplification of the class of exhibitions which were probably the result of a _superior knowledge_ of natural sciences.” No one ever doubted that it was the result of precisely such a knowledge, and the hermetists, magicians, astrologers and alchemists never claimed anything else. It certainly was not their fault that the ignorant masses, under the influence of an unscrupulous and fanatical clergy, should have attributed all such works to the agency of the devil. In view of the atrocious tortures provided by the Inquisition for all suspected of either black or white magic, it is not strange that these philosophers neither boasted nor even acknowledged the fact of such an intercourse. On the contrary, their own writings prove that {66} they held that magic is “no more than the application of natural active causes to passive things or subjects; by means thereof, many tremendously surprising but yet natural effects are produced.”