“Hold, O Lakana!” he checked the speech that rushed to my tongue. “I
know what next you would say. You would say that with my own eyes I did
not see this, and therefore that I do not know what I have been telling
you. But I do know, and I can prove it. My father’s father knew the
grandson of the Water Baby’s father’s uncle. Also, there, on the rocky
point to which I point my finger now, is where the Water Baby stood and
dived. I have dived for lobsters there myself. It is a great place for
lobsters. Also, and often, have I seen sharks there. And there, on the
bottom, as I should know, for I have seen and counted them, are the
thirty-nine lava-rocks thrown in by the Water Baby as I have described.”
“But—” I began.
“Ha!” he baffled me. “Look! While we have talked the fish have begun
again to bite.”
He pointed to three of the bamboo poles erect and devil-dancing in token
that fish were hooked and struggling on the lines beneath. As he bent to
his paddle, he muttered, for my benefit:
“Of course I know. The thirty-nine lava rocks are still there. You can
count them any day for yourself. Of course I know, and I know for a
fact.”
GLEN ELLEN.
_October_ 2, 1916.
THE TEARS OF AH KIM
THERE was a great noise and racket, but no scandal, in Honolulu’s
Chinatown. Those within hearing distance merely shrugged their shoulders
and smiled tolerantly at the disturbance as an affair of accustomed
usualness. “What is it?” asked Chin Mo, down with a sharp pleurisy, of
his wife, who had paused for a second at the open window to listen.
“Only Ah Kim,” was her reply. “His mother is beating him again.”
The fracas was taking place in the garden, behind the living rooms that
were at the back of the store that fronted on the street with the proud
sign above: AH KIM COMPANY, GENERAL MERCHANDISE. The garden was a
miniature domain, twenty feet square, that somehow cunningly seduced the
eye into a sense and seeming of illimitable vastness. There were forests
of dwarf pines and oaks, centuries old yet two or three feet in height,
and imported at enormous care and expense. A tiny bridge, a pace across,
arched over a miniature river that flowed with rapids and cataracts from
a miniature lake stocked with myriad-finned, orange-miracled goldfish
that in proportion to the lake and landscape were whales. On every side
the many windows of the several-storied shack-buildings looked down. In
the centre of the garden, on the narrow gravelled walk close beside the
lake Ah Kim was noisily receiving his beating.
Public-domain text, read in full here on John Shaqi.
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