“Lord god of models and marvels, behold them! My dear, did you ever see
two such legs on one small woman! Look at the roundness and
taperingness. They’re boy’s legs. I’ve seen featherweights go into the
ring with legs like those. And they’re all-woman’s legs, too. Never
mistake them in the world. The arc of the front line of that upper leg!
And the balanced adequate fullness at the back! And the way the opposing
curves slender in to the knee that _is_ a knee! Makes my fingers itch.
Wish I had some clay right now.”
“It’s a true human knee,” his wife concurred, no less breathlessly; for,
like her husband, she was a sculptor. “Look at the joint of it working
under the skin. It’s got form, and blessedly is not covered by a bag of
fat.” She paused to sigh, thinking of her own knees. “It’s correct, and
beautiful, and dainty. Charm! If ever I beheld the charm of flesh, it
is now. I wonder who she is.”
Stanley Patterson, gazing ardently, took up his half of the chorus.
“Notice that the round muscle-pads on the inner sides that make most
women appear knock-kneed are missing. They’re boy’s legs, firm and
sure—”
“And sweet woman’s legs, soft and round,” his wife hastened to balance.
“And look, Stanley! See how she walks on the balls of her feet. It
makes her seem light as swan’s down. Each step seems just a little above
the earth, and each other step seems just a little higher above until you
get the impression she is flying, or just about to rise and begin flying
. . . ”
So Stanley and Mrs. Patterson. But they were artists, with eyes
therefore unlike the next batteries of human eyes Ida Barton was
compelled to run, and that laired on the Outrigger _lanais_ (verandas)
and in the _hau_-tree shade of the closely adjoining seaside. The
majority of the Outrigger audience was composed, not of tourist guests,
but of club members and old-timers in Hawaii. And even the old-times
women gasped.
“It’s positively indecent,” said Mrs. Hanley Black to her husband,
herself a too-stout-in-the-middle matron of forty-five, who had been born
in the Hawaiian islands, and who had never heard of Ostend.
Hanley Black surveyed his wife’s criminal shapelessness and
voluminousness of antediluvian, New-England swimming dress with a
withering, contemplative eye. They had been married a sufficient number
of years for him frankly to utter his judgment.
“That strange woman’s suit makes your own look indecent. You appear as a
creature shameful, under a grotesqueness of apparel striving to hide some
secret awfulness.”
“She carries her body like a Spanish dancer,” Mrs. Patterson said to her
husband, for the pair of them had waded the little stream in pursuit of
the vision.
Public-domain text, read in full here on John Shaqi.
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