In spite of the feeling of shame that crept over him at thus allowing himself to be drawn into a past sacred to Isobel and the man who had died, Billy's eyes sought the date-line. The paper was eight years old. And then he read what followed. In those few minutes, as the cold, black type revealed to him the story of Isobel and Deane, he forgot that he was in the cabin, and that he could almost hear the breathing of the woman whose sweet romance had ended now in tragedy. He was with Deane that day, years ago, when he had first looked into Isobel's eyes in the little old cemetery of nameless and savage dead at Ste. Anne de Beaupré; he heard the tolling of the ancient bell in the church that had stood on the hillside for more than two hundred and fifty years; and he could hear Deane's voice as he told Isobel the story of that bell and how, in the days of old, it had often called the settlers in to fight against the Indians. And then, as he read on, he could feel the sudden thrill in Deane's blood when Isobel had told him who she was, and that Pierre Radisson, one of the great lords of the north, had been her great-grandfather; that he had brought offerings to the little old church, and that he had fought there and died close by, and that his body was somewhere among the nameless and unmarked dead. It was a beautiful story, and MacVeigh saw more of it between the lines than could ever have been printed. Once he had gone to Ste. Anne de Beaupré to see the pilgrims and the miracles there, and there flashed before him the sunlit slope overlooking the broad St. Lawrence, where Isobel and Deane had afterward met, and where she had told him how large a part the little old cracked bell, the ancient church, and the plot of nameless dead had played in her life ever since she could remember. His blood grew hot as he read of what followed the beginning of love at the pilgrims' shrine. Isobel had no father or mother, the paper said. Her uncle and guardian was an iron master of the old blood-- the blood that had been a part of the wilderness and the great company since the day the first "gentlemen adventurers" came over with Prince Rupert. He lived alone with Isobel in a big white house on the top of a hill, shut in by stone walls and iron pickets, and looked out upon the world with the cold hauteur of a feudal lord. He was young David Deane's enemy from the moment he first heard about him, largely because he was nothing more than a struggling mining engineer, but chiefly because he was an American and had come from across the border. The stone walls and iron pickets were made a barrier to him. The heavy gates never opened for him. Then had come the break. Isobel, loyal in her love, had gone to Deane. The story ended there.