Great Britain -- Social conditions -- 19th century -- Fiction
Thus he would sometimes talk to the more intelligent of his hussies;
but he did a great deal more than talk. He supplied from himself that
deficiency of inventive power and enterprise which is woman's weak
point; and he tilled those wide powers of masterly execution which they
possess unknown to grandpapa Cant and grandmamma Precedent. As this
clear head had foreseen, his women came out artisans. The eye that could
thread a needle proved accurate enough for anything. Their supple, taper
fingers soon learned to pick up type and place it quite as quick as even
the stiff digits of the male, all one size from knuckle to nail. The
same with watch-making and other trades reputed masculine; they beat the
men's heads off at learning many kinds of fingerwork new to both;
their singular patience stood them in good stead here; they undermined
difficulties that the males tried to jump over and fell prostrate.
A great treat was in store; one of the fruit-trees he had planted in the
huge fallow of ---- Jail was to be shaken this afternoon. Two or
three well-disposed prisoners had been set to review their past lives
candidly, and to relate them simply, with reflections. Of these Mr. Eden
cut out every one which had been put in to please him, retaining such as
were sober and seemed genuine to his lynx eye.
Mr. Eden knew that some men and women listen more to their fellows than
their superiors--to the experiences and sentiments of those who are in
their own situation, than to those who stand higher but farther away. He
had found out that a bad man's life honestly told is a beacon. So he set
“roguery teaching by examples.”
There were three male narratives in the press and two female. For a day
or two past the printers (all women) had been setting up the type and
now the sheets were to be struck off.
There was no little expectation among the prisoners. They were curious
to see their compeers in print, and to learn their stories, and see how
they would tell them; and as for the writers, their bodies were immured,
but their minds fluttered about on tip-toe round the great engine of
publicity, as the author of the “Novum Organon” fluttered when he first
went into print, and as the future authoress of “Lives and Careers of
Infants in Arms” will flutter.
The press stood in the female-governor's room. One she-artisan, duly
taught before, inked the type and put in a blank sheet.
No. 2 pulled the bar of the press toward her, and at the moment of
contact threw herself back with sudden vigor and gave the telling knip;
the types were again covered with ink, the sheet reversed, and No. 3
(one of the writers) drew out a printed sheet--two copies of two stories
complete.
“Oh! oh! oh!” cried No. 3, flushing with surprise and admiration, “how
beautiful! See, your reverence, here is mine--'Life of an Unfortunate
Girl.'”
“Yes, I see it. And pray what do you mean by an unfortunate girl?”
“Oh, sir! you know.”
Public-domain text, read in full here on John Shaqi.
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