Great Britain -- Social conditions -- 19th century -- Fiction
“Oh! for shame, Mr. Eden. Well, I never! And I posted your letter, sir.”
“What letter? what letter?”
“The long one. I found it on the table.”
“You don't mean you posted that letter?”
“Why, it was to go, wasn't it?”
“Yes, it was to go, but it was wonderfully intelligent of you.”
“La! Mr. Eden, don't talk so; you make me ashamed. Why, there was
'immediate' written on it in your own hand. Was I to wake you up to
ask whether that meant it was to stay here immediate, or go to London
immediate?” Then she pondered a moment. “He thinks I am a fool,” said
she, in quiet explanation, without a shade of surprise or anger.
“Well! Susan, my dear friend, you don't know what a service you have
done me!”
Susan glittered with pleasure.
“There!” cried he, “you have spared me this most unpleasant task,” and
he flung his unfinished papers into a basket. Mr. Eden congratulated
himself in his way, i.e., thanked Heaven Susan had come there; the
next thing was, he had a twinge of conscience. “I half suspected Fry
of taking it in the interest of Hawes, his friend. Poor Fry, who is a
brute, but as honest a man as myself, every bit. He shall have his book,
at all events. I'll put his name on it that I mayn't forget it again.”
Mr. Eden took the book from its shelf, wrapped it in paper, and wrote on
the cover, “For Mr. Fry from F. Eden.” As the incidents of the day are
ended, I may as well relate what this book was and how Fry came to ask
for it.
The book was “Uncle Tom,” a story which discusses the largest human
topic that ever can arise; for the human race is bisected into black and
white. Nowadays a huge subject greatly treated receives justice from the
public, and “Uncle Tom” is written in many places with art, in all with
red ink and with the biceps muscle.
Great by theme, and great by skill, and greater by a writer's soul
honestly flung into its pages, “Uncle Tom,” to the surprise of many that
twaddle traditional phrases in reviews and magazines about the art of
fiction, and to the surprise of no man who knows anything about the art
of fiction, was all the rage. Not to have read it was like not to have
read the _Times_ for a week.
Once or twice during the crucifixion of a prisoner Mr. Eden had said
bitterly to Fry, “Have you read 'Uncle Tom?'”
“No!” would Fry grunt.
But one day that the question was put to him he asked, with some
appearance of interest, “Who is Uncle Tom?”
Then Mr. Eden began to reflect. “Who knows? The cases are in a great
measure parallel. Prisoners are a tabooed class in England, as are
blacks in some few of the United States. The lady writes better than I
can talk. If she once seizes his sympathies by the wonderful power of
fiction, she will touch his conscience through his heart. This disciple
of Legree is fortified against me; Mrs. Stowe may take him off his
guard. He said slyly to Fry, 'Not know Uncle Tom! Why it is a most
interesting story--a charming story. There are things in it, too, that
meet your case.'”
“Indeed, sir.”
Public-domain text, read in full here on John Shaqi.
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