Great Britain -- Social conditions -- 19th century -- Fiction
Passing into the interior of the vast building, you find yourself in
an extensive aisle traversed at right angles by another of similar
dimensions, the whole in form of a cross. In the center of each aisle is
an iron staircase, so narrow that two people cannot pass, and so light
and open that it merely ornaments, not obstructs, the view of the aisle.
These staircases make two springs; the first takes them to the level of
two corridors on the first floor. Here there is a horizontal space of
about a yard, whence the continuation staircase rises to the second
and highest floor. This gives three corridors, all studded with doors
opening on small separate apartments, whereof anon.
Nearly all the inmates of this grim palace wear a peculiar costume and
disguise, one feature of which is a cap of coarse materials, with a
vizor to it, which conceals the features all but the chin and the eyes,
which last peep, in a very droll way, through two holes cut for that
purpose.
They are distinguished by a courteous manner to strangers, whom they
never fail to salute in passing, with great apparent cordiality; indeed,
we fear we shall never meet in the busy world with such uniform urbanity
as in this and similar retreats. It arises from two causes. One is that
here strangers are welcome from their rarity; another, that politeness
is a part of the education of the place, which, besides its other uses,
is an adult school of manners, morals, religion, grammar, writing and
cobbling.
With the exception of its halls and corridors, the building is almost
entirely divided into an immense number of the small apartments noticed
above. These are homely inside, but exquisitely clean. The furniture,
movable and fixed, none of which is superfluous, can be briefly
described. A bedstead, consisting of the side walls of the apartment;
polished steel staples are fixed in these walls, two on each side the
apartment at an elevation of about two feet and a half. The occupant's
mattress (made of cocoa bark) has two stout steel hooks at each end;
these are hooked into the staples, and so he lies across his abode.
A deal table the size of a pocket-handkerchief; also a deal tripod. A
waterspout so ingeniously contrived that, turned to the right it sends
a small stream into a copper basin, and to the left into a bottomless
close stool at some distance. A small gas-pipe tipped with polished
brass. In one angle of the wall a sort of commode, or open cupboard;
on whose shelves a bright pewter plate, a knife and fork and a wooden
spoon. In a drawer of this commode yellow soap and a comb and brush.
A grating down low for hot air to come in, if it likes, and another up
high for foul air to go out, if it chooses. On the wall a large placard
containing rules for the tenant's direction, and smaller placards
containing texts from Scripture, the propriety of returning thanks
after food, etc.; a slate and a couple of leathern kneeguards used in
polishing the room. And that is all.
Public-domain text, read in full here on John Shaqi.
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