Was it so? Did Miss Neville's fate, indeed, rest in his hands? If so,
then, he must no longer remain inactive, but must bestir himself. He
looked around, but during his conversation with Frances, short as it
was, Miss Neville had disappeared. As Frances and the rest adjourned
into the billiard-room for a game he again sought Amy; surely she had
not gone with the rest? No; there she sat alone in the inner
drawing-room.
"You are almost in total darkness, Miss Neville," said he, drawing a
chair near her, as she sat within the shade of the alcove or arch
dividing the two rooms.
The fire burnt low in the grate, while the lamps were all out save one,
which threw a strange, fitful light every now and then across the room.
"Mrs. Linchmore likes this room kept dark; she says it is sometimes
pleasant to come into, and a relief to the eyes after the brilliant
glare of the other rooms," replied Amy.
"Perhaps she is right; it certainly is a pleasant rest for the eyes
after the intense glare of the many lamps out there."
"Yes; and then one is almost sure of being quiet and alone late in the
evening, as no one cares for this dull room then; the lamps are never
trimmed after being once lit, but are allowed to die out as they like."
"Slowly, like the hopes of our hearts."
Amy looked up surprised.
"It is best to have no hopes," she said.
"That would be contrary to human nature. We all hope, even the most
satisfied mortal, and sometimes our hopes last a life time, and only
fade with our lives."
"It is true; but perhaps our hopes, if realised, would only render us
miserable. It is best after all to go hoping on."
"It is best," he replied, quietly.
Amy thought what a strange mood Mr. Linchmore was in. Why did he speak
and talk so gloomily? Had Mr. Vavasour vexed him again by devoting
himself too much to his wife? or she been flirting more than usual?
This inner room they now sat in was not so large as the drawing-room,
part of it being taken off for the conservatory, which ran its entire
length, and then adjoined the drawing-room at the point where the arch
which separated the two rooms terminated. In the day time the smaller
room was the prettiest and most cheerful, as the windows at the end
commanded a fine view of the magnificent woods and country beyond, with
the lawn sloping down in front almost to the banks of the lake, whereas
the view from the drawing-room on that side was entirely concealed by
the conservatory.
As Mr. Linchmore silently revolved in his mind how he should begin about
Mr. Vavasour; how broach the subject so as to find out how far her heart
had been won--or as he thought, lost--thrown away on so unworthy an
object; given to one who neither cared for or valued the rich treasure
he had won, and Amy sat in silent wonderment as to what he would say
next; the rustle of a silk dress was heard, and in another moment two
forms were indistinctly seen through the flowering shrubs and exotics of
the conservatory.
Public-domain text, read in full here on John Shaqi.
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