Fathers and daughters -- Fiction; Social classes -- England -- Fiction
"Never mind them! Listen to me." Marianne interjected that perhaps
they hadn't gone to bed, and she could ring for Martha to see. But
she didn't do it, and no one urged it. So the children lapsed, and
Mrs. Eldridge proceeded: "Pay attention to what I'm saying, John,
and put that glass down. You'll break it." He did as he was bid.
"We--_are_--_talking_--_about_--the differences between country-houses
and town-houses." To which Mr. Eldridge replied, "Oh, ah!--yes, to be
sure! Well!--you'd have to see 'em both," causing his wife to despair
visibly of male intelligence, with endurance, before starting afresh
with an appearance of willingness to make things easy for a slow
apprehension: "We were talking about the difference of the way one
lives, in town and in the country. Nothing to _do_ with premises."
She then went on to put a hypothetical case, to enable her husband to
grasp the full range of the recent conversation. Supposing that he
had been a young man enamoured of a damsel whose sentiments towards
himself were a matter of conjecture--suppose, in fact, he were "paying
attention"; that was how the lady put it--would he prefer to press
his suit in a town-house or a country-house? She made the question a
leading one by suggesting divine solitudes congenial to the development
of tender passions, and a climate favourable to the inspection of
sunsets and moonrises. So tempting was the prospect to the mind of
her hearer that he made a grimace expressive of greedy delight, and
gave a low whistle. "'Ooky!" said he, dropping an aspirate humorously.
"Country-houses--rather!"
"_Any_ man would say so at once, Marianne." Which Mrs. Eldridge
contrives to articulate in a way that implies, Heaven knows how, that
their discussion has had application to some particular case--no mere
abstract review of the subject. For the apprehension of her husband is
reached, with the effect that he says, with an expression of roused
interest: "I say, Lotty, tell up. Who's the party? Who's at it now?"
But he does not press for information, because his wife checks him
skilfully with, "Hush, John!--never mind now! I'll tell you after." His
comment, "Some gal, I suppose," suggests some lucid vision into life
and character beyond its drain on the resources of language.
Public-domain text, read in full here on John Shaqi.
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