Fathers and daughters -- Fiction; Social classes -- England -- Fiction
But before leaving the passage--the one known by the rather grandiose
name of The Hall--Aunt Stingy first removed her rescuer's overcoat,
that still lay on the ground, and hung it on a neighbouring hook. A
more intelligent person would have seen that its owner might want it,
for warmth, in a fireless room. She must needs then decide that the
street door had no business to be on the jar, and it was just that
child's carelessness leaving it open; and closed it, noiselessly.
This was fatal to a calculation of Athelstan Taylor's, for he had
told Lizarann to leave the door open in the full confidence that the
policeman on the beat would notice it; and that he would by this means
be brought into communication with the outer world, without having to
leave his dangerous charge alone in the house with that plucky baby and
that weak woman!
No doubt a policeman did come down the _cul de sac_ street, but even a
policeman's step is inaudible on three inches of very dry snow. It is
otherwise when the snow is partly thawed, especially if a second frost
comes. Mr. Taylor concluded, believing that the street-door was "on the
jar," that the policeman's bull's-eye would at once detect it, and that
his guard was sure to be relieved; but the hours went by and nothing
came. It is more likely, though, that the policeman passed at a moment
of noise from the railway, for goods-trains occurred at intervals
through the night.
More than once he was all but resolved to leave the man's side and
summon the woman, or go himself for medical help, whatever the risk
might be. But he did not know what other knives might be within reach,
and he was one of those people who always decide on the righter of two
courses, however little may be the difference between them. Not the
smallest risk should be run through fault of his of harm to come to
that plucky infant--well!--or to the woman, for that matter. But he was
obliged to admit that he felt less keen on that point.
Public-domain text, read in full here on John Shaqi.
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