Fathers and daughters -- Fiction; Social classes -- England -- Fiction
But Challis was not anxious either to dine out every night, or to
quarrel over the dinners at home. He was really well pleased with
himself and his surroundings, when he could feel that he had passed a
comfortable domestic evening free from self-questionings and collisions
with--well!--that disorder he made the awkward compound word for. But
he never got off without scars. When he thought he had succeeded, after
a very well-executed quiet evening with his wife, in saying to himself:
"Jam me juvaverit
Viros relinquere
Doctaeque conjugis
Sinu quiescere,"
really almost with earnestness!--all the wind was taken out of his
sails by a perfectly uncalled-for reflection on Marianne's education.
He was angry after with himself for making it. Besides, no one in his
senses could ascribe any abnormal culture to.... Never you mind!--what
on earth had _she_ to do with it?
The fact is that, at this date of the story, some two or three weeks
after we last heard his voice in that cab that drew up in Grosvenor
Square, Challis was keeping watch and ward over his love of his own
home and the mother of his two children. His other world--especially
the brilliant and fascinating one that centred in the Megatherium
Theatre and the preparation of his new play--was both courted and
kept at bay by him. He could make no strong stand against its
temptations; but he could resent them, and did so. And whenever his
conscience--however he nicknamed it--had been especially intrusive,
he could always rebuke it by a little more home life than usual, by a
more patient toleration of some home discomfort. He did not see that
the very fact of his doing penance, as it were, for his enjoyment of
that outer world of enchantment, was really opening a postern-gate to
admit the enemy his culverins were pounding from the battlements. When
he paid himself out for that delightful supper with the Megatheriums
in the small hours of the morning by showing forbearance over Mrs.
Steptoe's fatuous attempts at cookery, he was no more conscious that he
was really pleading guilty on the main issue than was Judith Arkroyd,
when she declined an invitation to join it, conscious that she was only
hedging against her dallyings with perfect truth and honour towards
her family in keeping back the lengths she had gone in rehearsals
of the part of Aminta Torrington. Mrs. Steptoe's greasy cookery and
a dull pompous dinner at the Duke's each did duty as a salve to
conscience without the unwilling sharers in either detecting their own
self-deception. But it was good for Mr. Ramsey Tomes, who took Miss
Arkroyd in to the banquet and bored her by his appreciation more than
by his talk; which Judith mimicked extremely well, to Mr. Challis's
great delight, when she met him next day at the theatre. And it was
good for Mrs. Steptoe, who between Challis's penances and Marianne's
indisposition for another excursion into disengaged-cook land, seemed
Public-domain text, read in full here on John Shaqi.
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